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June 2013 Issue Highlights:
Reviews: Moog Sub Phatty: Akai MPC Studio: Steinberg Nuendo 6: DSI Mopho X4: Synthogy Ivory II American Concert D
Techniques: Mixing Acoustic Guitars: • Session Notes: Making musicians feel relaxed enough to deliver a great performance
Features: Classic Tracks: Prince "Kiss" • John Shanks & Jeff Rothschild: Bon Jovi continues to top charts worldwide
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Thumbnail for article: Sale on NI Reaktor and Reaktor-based instruments and effects

Sale on NI Reaktor and Reaktor-based instruments and effects

75% off Reaktor, 50% off instruments and effects

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Cubase Elements 7 now available

Entry level music production system updated

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JZ Microphones announces new budget mic J1

New JZ mic with $399 street price

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Thumbnail for article: Allen & Heath launch new mixers

Allen & Heath launch new mixers

New generation of MixWizards and larger GLD digital mixer

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Thumbnail for article: Waves release RS56 Universal Tone Control

Waves release RS56 Universal Tone Control

Abbey Road 'Curve Bender' EQ recreation launched

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Apple refresh Macs and operating systems

Redesigned Mac Pro, New Macbook Air, OS X Mavericks and iOS 7

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Sweetwater Presents GearFest ‘13

Public trade show brings big names to Fort Wayne, IN

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In the studio with producer Teddy Riley

Michael Jackson and Blackstreet producer talks gear

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Crest Audio launch Tactus digital mixing system

Crest and Waves partner to create touch-screen system

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Vintage King LA Tour

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Classic Tracks

Mike Oldfield Tubular Bells

Classic Tracks

Thumbnail for article: Mike Oldfield Tubular Bells

Forty years after its original release, Mike Oldfield tells us the story of recording his hugely successful debut album, Tubular Bells.

Adam & The Ants ‘Stand & Deliver’

Classic Tracks

Thumbnail for article: Adam & The Ants ‘Stand & Deliver’

To say that producer Chris Hughes was closely involved with Recording Adam & The Ants’ biggest records would be a bit of an understatement — he got so involved he joined the band...

Frank Sinatra ‘I’ve Got You Under My Skin’

Classic Tracks

Thumbnail for article: Frank Sinatra ‘I’ve Got You Under My Skin’

In 1956, Frank Sinatra revived his flagging career with an album that would define the swing sound and go on to become one of the most highly regarded in history. John Palladino, now in his 92nd year, was at the controls...

Oasis ‘Wonderwall’

Classic Tracks

Thumbnail for article: Oasis ‘Wonderwall’

For many, (What’s The Story) Morning Glory? is Oasis’s masterpiece. Producer and engineer Owen Morris tells us the story of its creation.

Nine Inch Nails ‘Closer’

Classic Tracks

Thumbnail for article: Nine Inch Nails ‘Closer’

Although the shock value of its lyrics and ensuing censorship earned it notoriety, ‘Closer’ perfectly exemplifies Trent Reznor’s radical use of sampling and singularly focused musical vision.

MARRS 'Pump Up The Volume'

Classic Tracks

The unlikely result of a collaboration between two 4AD bands, the release of ‘Pump Up The Volume’ by MARRS was a great day for house music and copyright lawyers alike.

Gary Moore 'Parisienne Walkways'

Classic Tracks

'Parisienne Walkways' showcased Gary Moore's virtuoso guitar work and quickly became his signature song. Its recording also provided a young engineer at Morgan Studios with his first, unexpected production credit.

The Beatles 'While My Guitar Gently Weeps'

Classic Tracks

Thumbnail for article: The Beatles 'While My Guitar Gently Weeps'

Recording the White Album was a major project by any standards, not least for Ken Scott, who, at the age of just 21, found himself engineering the biggest band in the world...

Whitney Houston 'I Wanna Dance With Somebody'

Classic Tracks

Thumbnail for article: Whitney Houston 'I Wanna Dance With Somebody'

'I Wanna Dance With Somebody' was a huge global hit, but it also represented a tour de force in coaxing the perfect vocal from a singer, as explained by producer Narada Michael Walden.

Soft Cell 'Tainted Love'

Classic Tracks

Thumbnail for article: Soft Cell 'Tainted Love'

Soft Cell's cover of 'Tainted Love' not only catapulted the duo to stardom in the UK, but also went on to spend a record-breaking 43 weeks on the American Billboard Hot 100 chart.

 

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