NinjaPower
Joined: 16/09/09
Posts: 32
Loc: The North of England
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Been thinking about this for a few days now...
I an a House music DJ by
trade, but for a year or so now I have enjoyed a hobby of actually producing house music
tracks of my own.
I use Ableton, a few software plugins, I have several new
and old external hardware synths, outboard effects units, compressors, Midi Keyboard and
synth keyboards, and I sometimes sample from old records and CD's.
I quite
like making every part of my tracks from nothing. I like programming and EQing the drums,
building the basslines and melodies, tweaking the outboard Synths and generally going
through the whole process.
A few months ago however, Some friends of mine who
are also DJ's/Producers got a Tech/Electro house track that they had made into the
Beatport top 100. Nice work.
The track was really quite good, and certainly
worth a purchase and a play for a few weeks by Tech/Electro DJ's.
Now, these
guys aren't what you would call patient or technically minded. So, I saw them one day and
we got chatting 'producer to producer' and I asked them how they crafted their nice little
track. What soft synths do they have? What hardware synths do they use? Which drum
programme do they prefer? etc.
The answer was: "Easy mate, We just downloaded
a few of those big producer loop pack things and listened to hundreds of drum loops,
melodies, pianos, FX, basslines etc until we came across a load we liked, pasted them into
Ableton's audio tracks in blocks, added a few fades here and there to the tracks, few FX,
built a couple of breakdowns using the 'breakdown loops' provided with the packs and
bingo, decent banging track in a few days"
Now... I dont know whether to be
impressed by them for being so resourceful of the tools that are now available in these
Loop Packs, or whether to be disgusted that all they did was basically copy and paste
perfect ready made sounds into tracks!
Or, should I be mad at myself for
always spending hours and hours trying to home create drums loops, melodies, and basslines
when I could just be auditioning a few hundred with a click of the mouse till one perfect
one pops up out of these loop packs?
I went home, downloaded a couple of well
known house music 'Loop packs' from the big names of this kind of thing. auditioned a few
samples and loops for about 20 mins and then started banging the ones I liked into Ableton
and guess what...within about 2 hours I had basically crafed a really funky little house
track with some great drums, basslines, melodies, and complete with soulful and fruity
horn and saxophone sounds. Amazing.
I'm not saying I'm converted... but it's
really playing on my mind and irritating me...
And obviously the same applies
to nearly all genre's now as well. Hip Hop, Dubstep, RnB, Soul, Pop... there are seemingly
Loop Packs available for everyone.
So.. whats your opinions on all of
this?
Loop Packs: "Great! they make producing electronic music really fun and
easy, and with so many thousand loops and sounds available, its unlikely my professional
sounding track will end up remotely like anyone elses! They allow you to create tracks you
like the sound of without knowing anything about music which is fantastic."
Or somthing along the lines of...
Loop Packs: "Rubbish. Its basically a
modern day version of Dance eJay! any idiot can knock a track up in an hour using someone
elses hard work. Its like building a track from a Lego kit with instructions. If everyone
did this and got their stuff published, all the tracks we hear would contain exactly the
same basslines, drums and melodies."
I dont know what to think? Its cool, but
somehow feels a bit lame at the same time... I wonder how many of the actual published
'chart' and club dance music out there was made either partially or in whole by using
purchased royalty free loop packs?
Either way... My friends sold hundreds of
copies of their track on a well known music website and I haven't!
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The Elf
active member
Joined: 14/08/01
Posts: 3109
Loc: Sheffield, UK
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Creativity comes in many forms. If you mates have produced something 'original' then who's
to argue? Some visual artists make pictures with stuff they find - it's not too much
different.
Don't get me wrong, I have absolutely no love of 'dance' music in
any of it's sub-divided, nothing but 4/4, hut-sss, hut-sss guises, but if you want your 15
minutes of fame it's a way in with minimal effort.
Then there are rappers who
talk over someone else's music and walk off with the money. Creative? Arguable. Lucrative?
Seems to be!
-------------------- An Eagle for an Emperor, A Kestrel for a Knave.
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Michael Dow
Joined: 28/08/08
Posts: 570
Loc: London
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I;ve been a dance music producer for the lat 7 years now and mainly produce trance under
my own name these days. I try and steer clear of loop packs, but every now and then if my
percussion is missing something ill have a little look through. Rather than use loops
whole, i'll usually slice them up and cut out the sounds i like. I usually end up
processing them in a way that makes them sound quite different, ringmod and other sorts of
weird effects.
You're right though, some people do actually just do almost
nothing and use samples already provided. For me, this isn't making music for the love of
makng music. Thats making music with no regard to how much you put into it, its just a way
of promoting yourself to get DJ gigs. Which is fine, as long as you dont see yourself as a
quality producer/sound designer. If you're just doing the producng to get more gigs (cuz
let fact it, every DJ that gets anywhere prtty much, has to mae their own stuff aswell,
and many turn to engineers, i've made loads of tracks with the DJ in the studio saying
what he wants it to sound like etc etc). Tough one, but it's their call. Maybe it will
inspire them at some point to make their own sounds
There's nothing more i love
than to create sounds on synths, i spend way too much time doing it but at the end of the
track i've got something at least slightly original sounding compared to picking a sound
or 20 from a sample pack.
-------------------- www.myspace.com/michaeldow www.myspace.com/portasoundband
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NinjaPower
Joined: 16/09/09
Posts: 32
Loc: The North of England
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Oh I'm not nocking them at all. At the end of the day, they have produced something
good that people in that genre like and enjoy. It's all good.
But I just
wonder how much stuff we hear on radio/MTV dance or in a club etc is actually partly made
by 'buying in' someones loop packs.
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The Elf
active member
Joined: 14/08/01
Posts: 3109
Loc: Sheffield, UK
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Quote NinjaPower:
But I just
wonder how much stuff we hear on radio/MTV dance or in a club etc is actually partly made
by 'buying in' someones loop packs.
Almost all I would dare to suggest.
But then, we all use synth presets and
sample libraries. It's not really that much different.
-------------------- An Eagle for an Emperor, A Kestrel for a Knave.
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Darren Lynch
member
Joined: 25/02/03
Posts: 66
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Is not Brian Eno's defence of this approach that the artistry of the sample age is not in
the playing but in the discernment. You could give me all the loops in the world and I'd
never make a credible House track. Never served my times as a DJ, see. If your mates can
exercise some informed choices and bring'em all together, good luck to them.
The downside off course is that once hooked on this approach, your sample collection
dates in a matter of weeks, so you gotta keep on buying more.
I can only
console you buy saying they will never know the satisfaction of programming a sound and a
part from scratch to create something unique.
Chances are they don't care
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Pete Kaine
member
Joined: 10/07/03
Posts: 783
Loc: Manchester
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Dj Shadow - Entroducing
Multi award winning and listed in the top 100 albums
by a publication no more mainstream, middle of the road than "Time" magazine.
100% samples.
All he's done in effect is go out and find samples and build
them into tracks.
Loop cd's surely all your doing is skipping a certain
amount of finding the loops?
-------------------- www.scan.co.uk
3XS Audio Systems
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ken long
Joined: 21/01/08
Posts: 1900
Loc: The Orient, East London
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Nothing wrong with music by numbers.
-------------------- I'm All Ears.
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FutureRetro
new member
Joined: 09/07/02
Posts: 489
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The vast majority of dance music is just a rehash of ideas the producer has heard
elsewhere, very little of it is in any way new. We haven't had anything as interesting as
hearing jungle or trip hop for the first time, since jungle or trip hop. Maybe dubstep but
that's already getting old although I suspect it will have it's RoniSize moment and
someone will create a stunning album which will get big and then the genre will
immediately die off again as all the copy cats can't keep up.
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ken long
Joined: 21/01/08
Posts: 1900
Loc: The Orient, East London
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Quote FutureRetro:
The vast
majority of dance music is just a rehash of ideas the producer has heard elsewhere, very
little of it is in any way new. We haven't had anything as interesting as hearing jungle
or trip hop for the first time, since jungle or trip hop.
Cause those genres (and I use the term
loosely) weren't rehashed? 
ken
-------------------- I'm All Ears.
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markhodges
Joined: 07/01/07
Posts: 318
Loc: München
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Personally I wouldn't use "genre" loops or a construction kit. I think it takes all the
fun out of it. I enjoy mucking about with synths to create the sounds I want, and often
I'll go off on a tangent and end up with something unique. It's also nice to get a jam
going with real machines.
Taking a loop from something else and repurposing
is different.
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The Elf
active member
Joined: 14/08/01
Posts: 3109
Loc: Sheffield, UK
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trip hop... dubstep...
Wha?
You know I’m convinced somebody, somewhere actually
understands the difference between all of these ‘genres’.
But they all go
ut-sss, ut-sss, ut-sss to me!
Is there somewhere I can go gen up?
-------------------- An Eagle for an Emperor, A Kestrel for a Knave.
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Korff
Joined: 20/10/06
Posts: 921
Loc: Cambridge, UK
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Dubstep is just like that, only it goes:
ut...
...sss...
...
.....ut...
....sss...sss....
And Ken,
everything's rehashed to some degree, but I think there was definitely something a bit
fresh about jungle when it first grew out of hardcore.
Cheers!
Chris
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Pete Kaine
member
Joined: 10/07/03
Posts: 783
Loc: Manchester
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Elf - http://techno.org/electronic-music-guide/
It's a few years
out of date now (no Dubstep which has pretty much been the biggest thing since carved loaf
the last 3 years) and he's working on Rev.3 at the moment but it'll give you the gist.
To be fair the vast number of those were made up by record shop assistants bored
on a weekday afternoon but it'll give pointers on the difference between DnB and Techno to
a workable exstent.
-------------------- www.scan.co.uk
3XS Audio Systems
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ill
Joined: 23/12/04
Posts: 304
Loc: Dirty ol' London
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Didn't the Pied Piper's number one "Do you Really Like It" use the demo song from an
EMU module?
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ken long
Joined: 21/01/08
Posts: 1900
Loc: The Orient, East London
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Yeah, and Faithless milked the JV...
ken
Hi ill!
-------------------- I'm All Ears.
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Darclinc
Joined: 04/08/03
Posts: 1733
Loc: Earth
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I prefer to do everything by hand, all sounds design, all drum patterns, all sound
effects, etc. I try not to use presets. The only thing I don't do is go and record /
create every drum hit I use, that would be nigh impossible.
In the quest for
forming a unique musical identity I much prefer to look at a piece of music that I've
written and saying "I did all of that", rather than "Look at what I've managed to build
out of Lego".
Each to his own, I guess.
D.
-------------------- www.thirdfloormusic.com
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NinjaPower
Joined: 16/09/09
Posts: 32
Loc: The North of England
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Quote ill:
Didn't the Pied
Piper's number one "Do you Really Like It" use the demo song from an EMU module?
what? Seriously??!
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Korff
Joined: 20/10/06
Posts: 921
Loc: Cambridge, UK
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Yep!
It may have been a Korg Triton though... is that the song with the twiddly
nylon guitar bit?
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ryan mead
Joined: 19/06/05
Posts: 840
Loc: Seoul
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Quote The Elf:
Some visual
artists make pictures with stuff they find - it's not too much different.
But those visual artists (along with folks who dig
around in vintage vinyl crates) are one side of a gulch, on the other side of which we
find these @#$%&* "construction kits". When did you ever hear of a successful visual
artist going out and buying some sort of "collage kit" marketed as such?
The
last few pages of the paper mag make me shudder sometimes. I've got the KJ Sawka CD on my
hesitation list-- if I spring for it, it'll be my first. (But he's very human and I'll
never play the drums like that!)
I've enjoyed the long slow (and as yet
incomplete) process of figuring out for myself how to glue a few sparse drum hits together
with dynamics processing to make a thick groovy paste, even at the expense of
productivity.
And I gotta echo the Elf's sentiment about the trivial
distinctions between genres! Hobbles creativity at times. I guess they're so rigidly and
narrowly defined because ultimately they're destined for dance floors, where constancy
reigns.
-------------------- http://ryanmead.net
http://myspace.com/monkslut
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Freuman
Joined: 10/06/08
Posts: 222
Loc: Benfleet, Essex, UK
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Quote The Elf:
trip hop...
dubstep...
Wha? 
Trip
Hop is white dad friendly hip hop without so much talking.
DubStep is 130 bpm
garage with the same wobbley bass sound in each track...

(no doubt that'll offend/confuse some teenagers!)
-------------------- 1011000000001011 - 1111101011001110
Hexadecimal binary coding anyone?
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markhodges
Joined: 07/01/07
Posts: 318
Loc: München
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Quote ryan mead:
And I
gotta echo the Elf's sentiment about the trivial distinctions between genres! Hobbles
creativity at times. I guess they're so rigidly and narrowly defined because ultimately
they're destined for dance floors, where constancy reigns.
It's kind of like garage rock, indie rock,
progressive rock, folk rock, punk rock, hard rock, glam rock, heavy metal, classic rock
and so on. Some of the differences are more obvious than others.
With dance
music specifically, some DJs genre-hop more than others, but the fact is that tracks that
are similar in tempo and style are easier to mix together into a coherent set and often
that's what people want to hear. In much the same way the average death metal fan doesn't
want to go and see coldplay, someone who wants to go and dance to some nice hard pounding
distorted 909 bass drum techno isn't necessarily going to get off on a disco tinged beat
and big gospel vocal. Even so, some DJs will venture to both extremes in the same set.
Aside from that, the jargon enables those with an understanding of the
distinctions to have a conversation more easily.
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Maske
Joined: 20/11/08
Posts: 19
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Quote NinjaPower:
Quote ill:
Didn't the Pied
Piper's number one "Do you Really Like It" use the demo song from an EMU module?
what? Seriously??!
Proteus 2000
If my
memory was switched on right now I would remember the preset.
Press Demo and
there is their intro and chorus right there!
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Richard Graham
Joined: 10/04/06
Posts: 1851
Loc: Gateshead, UK
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Quote The Elf:
trip hop...
dubstep...
Wha? 
You know I’m convinced somebody, somewhere actually understands
the difference between all of these ‘genres’.
But they all go ut-sss, ut-sss,
ut-sss to me! 
Is there somewhere I can go gen up?
Look Mr Elf, if I said that I couldn't hear the difference
between Crosby Stills and Nash, and say, Motorhead, (or between The Beatles and Yes, or
Pink Floyd and Fleetwood Mac, or between rock'n'roll and thrash metal) would you look
kindly upon my opinion? Or would you simply suspect that I hadn't really bothered to
listen to any of the aforementioned artists and styles but had chosen instead to put my
fingers in my ears and say 'I'm not listening to anything recorded since the invention of
the electric guitar, it all sounds like a frightful din to me'?
Exactly. 
You can 'gen up' by listening to music from your local library,
or Spotify, or something. As someone famous once said, 'writing about music is like
dancing about architecture'. Reading the contents of a website isn't going to do anything
for you!
Of course, it's your prerogative to dismiss what you dislike or don't
have time to investigate! As long as you don't mind sounding like a grumpy old sod!
(And by the way, I don't know my grime from my grindy: life's too short... but
there was a time when I kept up... back when drum and bass was the latest thing!)
-------------------- Battle flags are flown at the feet of a garden gnome.
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tomafd
Joined: 03/10/05
Posts: 2544
Loc: uk
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Quote ryan mead:
And I
gotta echo the Elf's sentiment about the trivial distinctions between genres! Hobbles
creativity at times. I guess they're so rigidly and narrowly defined because ultimately
they're destined for dance floors, where constancy reigns.
Indeed- I once had a housemate who after
listening to a bunch of bods at my kitchen table discussing dance music, stubbed her fag
out with an aggrieved sigh and said "look, you stupid c**ts ... most of us don't give a [
****** ] about all that, all we want is that big thunk thunk thunk thunk thunk at the
bottom, every beat, and [ ****** ] the rest of it."
Words from a true,
straightforward, punter, not a DJ, or a muso.
Thunk thunk thunk thunk
thunk
there you have it.
-------------------- sod this I'm off to the allotment... www.anotherfineday.co.uk
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Pete Kaine
member
Joined: 10/07/03
Posts: 783
Loc: Manchester
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Quote Richard Graham:
And
by the way, I don't know my grime from my grindy:
First one's your likely to get stabbed at a gig and the second
one has guitars and a ubertrendy as you like Nathen Barley crowd. In most cases I wish
they could combine the two.
-------------------- www.scan.co.uk
3XS Audio Systems
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tomafd
Joined: 03/10/05
Posts: 2544
Loc: uk
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Quote Korff:
And Ken,
everything's rehashed to some degree, but I think there was definitely something a bit
fresh about jungle when it first grew out of hardcore.
Cheers!
Chris
Yup, watching Lock Stock
& 2 smoking barrels the other night I was reminded of that EZ Rollers tune Walk the
land (I think it's called) Must be from 1998 ? 99 ? Totally wicked, totally fresh, and
just so funky. I don't pay that much attention these days but I'm not hearing anything
with that kind of freshness and sheer joy these days, when I am trawling through today's
dance music.
-------------------- sod this I'm off to the allotment... www.anotherfineday.co.uk
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onesecondglance
Joined: 02/01/08
Posts: 1171
Loc: Reading, UK
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Quote Richard Graham:
grindy
grindcode indie? now that
would be worth hearing...
genres are just tags. they help people see patterns
in something abstract (music). it's the same thing as naming colours - that could mean a
million different chroma but say that something is red and everyone will know what you
mean.
it always annoys me when bands say they don't like to be put into a
genre. if it helps someone else get an handle on what you are, i say great. being classed
in a genre by a journalist doesn't define what you should write as a musician!
-------------------- random thoughts about the world, digested into bitesize bloggy chunks
doubledotdash!? collective - hear tunes!
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Michael Dow
Joined: 28/08/08
Posts: 570
Loc: London
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Im sorry but i find a lot of the comments here rather mis/ill informed. Just because you
dont like a style doesnt mean it is any less or more creative than the ones that you do
like. It's just that you don't understand the way in which it's creative as you have no
reference. Just your "boom tssh" comments.
One could say something similar
about all style of music. The very basis of a style of a track is usually to do with its
beat/rhythm. Ska all has a very similar beat, lots of indie music has the same kind of
beat. Just cos its on real drums doesnt make it any less repetative.
Seriously some of the comments on here are so narrow minded!
-------------------- www.myspace.com/michaeldow www.myspace.com/portasoundband
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Michael Dow
Joined: 28/08/08
Posts: 570
Loc: London
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Quote onesecondglance:
Quote Richard Graham:
grindy
being classed in a genre by a
journalist doesn't define what you should write as a musician!
Well said!
-------------------- www.myspace.com/michaeldow www.myspace.com/portasoundband
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FutureRetro
new member
Joined: 09/07/02
Posts: 489
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Quote Michael Dow:
lots of indie
music has the same kind of beat. Just cos its on real drums doesnt make it any less
repetative.
There
repetative and then there is actual repetition. A musician can inject life into a
performance, they can play with solos, two performances will never be the same etc. Most
electronic music doesn't have this creativity. Not to say it cannot be done, it just
isn't generally and certainly not in the more popular forms of electronic music.
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Michael Dow
Joined: 28/08/08
Posts: 570
Loc: London
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This is true yes, but thats what club music is about. It's always been about that since
detroit techno. Something to get lost inside. A groove that binds the rest of the track
together.
I guess some people get it and some do not. And those that don't
think it's childish and un thoughtful as a whole.
But.. talking of
unthoughtful production.... using just sample packs isn;t great. Yet as we see, it works
for those that it matters to. The people dancing to it.
-------------------- www.myspace.com/michaeldow www.myspace.com/portasoundband
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The Elf
active member
Joined: 14/08/01
Posts: 3109
Loc: Sheffield, UK
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Quote Richard Graham:
Of course,
it's your prerogative to dismiss what you dislike or don't have time to investigate! As
long as you don't mind sounding like a grumpy old sod!

If I had to investigate every musical style I *don't* like I
wouldn't have to time to find out about stuff I *do*!
To each their own, dude -
but please don't take me too seriously...
-------------------- An Eagle for an Emperor, A Kestrel for a Knave.
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Benbrick
Joined: 05/02/06
Posts: 367
Loc: London
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Quote NinjaPower:
Quote ill:
Didn't the Pied
Piper's number one "Do you Really Like It" use the demo song from an EMU module?
what? Seriously??!
It was a proteus! I remember
finding that loop on it and thinking that it was a bit cheap. Still it was a pretty cool
loop
-------------------- Benbrick
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Benbrick
Joined: 05/02/06
Posts: 367
Loc: London
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Quote Pete Kaine:
Dj Shadow -
Entroducing
Multi award winning and listed in the top 100 albums by a
publication no more mainstream, middle of the road than "Time" magazine.
100%
samples.
All he's done in effect is go out and find samples and build them into
tracks.
Loop cd's surely all your doing is skipping a certain amount of finding
the loops?
This is surely a
totally different point.
-------------------- Benbrick
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Benbrick
Joined: 05/02/06
Posts: 367
Loc: London
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Quote Freuman:
Quote The Elf:
trip hop...
dubstep...
Wha? 
Trip
Hop is white dad friendly hip hop without so much talking.
DubStep is 130 bpm
garage with the same wobbley bass sound in each track...

(no doubt that'll offend/confuse some teenagers!)
Dubstep is
half speed
-------------------- Benbrick
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Benbrick
Joined: 05/02/06
Posts: 367
Loc: London
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Quote NinjaPower:
Been thinking
about this for a few days now...
I an a House music DJ by trade, but for a
year or so now I have enjoyed a hobby of actually producing house music tracks of my
own.
I use Ableton, a few software plugins, I have several new and old
external hardware synths, outboard effects units, compressors, Midi Keyboard and synth
keyboards, and I sometimes sample from old records and CD's.
I quite like
making every part of my tracks from nothing. I like programming and EQing the drums,
building the basslines and melodies, tweaking the outboard Synths and generally going
through the whole process.
A few months ago however, Some friends of mine who
are also DJ's/Producers got a Tech/Electro house track that they had made into the
Beatport top 100. Nice work.
The track was really quite good, and certainly
worth a purchase and a play for a few weeks by Tech/Electro DJ's.
Now, these
guys aren't what you would call patient or technically minded. So, I saw them one day and
we got chatting 'producer to producer' and I asked them how they crafted their nice little
track. What soft synths do they have? What hardware synths do they use? Which drum
programme do they prefer? etc.
The answer was: "Easy mate, We just downloaded
a few of those big producer loop pack things and listened to hundreds of drum loops,
melodies, pianos, FX, basslines etc until we came across a load we liked, pasted them into
Ableton's audio tracks in blocks, added a few fades here and there to the tracks, few FX,
built a couple of breakdowns using the 'breakdown loops' provided with the packs and
bingo, decent banging track in a few days"
Now... I dont know whether to be
impressed by them for being so resourceful of the tools that are now available in these
Loop Packs, or whether to be disgusted that all they did was basically copy and paste
perfect ready made sounds into tracks!
Or, should I be mad at myself for
always spending hours and hours trying to home create drums loops, melodies, and basslines
when I could just be auditioning a few hundred with a click of the mouse till one perfect
one pops up out of these loop packs?
I went home, downloaded a couple of well
known house music 'Loop packs' from the big names of this kind of thing. auditioned a few
samples and loops for about 20 mins and then started banging the ones I liked into Ableton
and guess what...within about 2 hours I had basically crafed a really funky little house
track with some great drums, basslines, melodies, and complete with soulful and fruity
horn and saxophone sounds. Amazing.
I'm not saying I'm converted... but it's
really playing on my mind and irritating me...
And obviously the same applies
to nearly all genre's now as well. Hip Hop, Dubstep, RnB, Soul, Pop... there are seemingly
Loop Packs available for everyone.
So.. whats your opinions on all of
this?
Loop Packs: "Great! they make producing electronic music really fun and
easy, and with so many thousand loops and sounds available, its unlikely my professional
sounding track will end up remotely like anyone elses! They allow you to create tracks you
like the sound of without knowing anything about music which is fantastic."
Or somthing along the lines of...
Loop Packs: "Rubbish. Its basically a
modern day version of Dance eJay! any idiot can knock a track up in an hour using someone
elses hard work. Its like building a track from a Lego kit with instructions. If everyone
did this and got their stuff published, all the tracks we hear would contain exactly the
same basslines, drums and melodies."
I dont know what to think? Its cool, but
somehow feels a bit lame at the same time... I wonder how many of the actual published
'chart' and club dance music out there was made either partially or in whole by using
purchased royalty free loop packs?
Either way... My friends sold hundreds of
copies of their track on a well known music website and I haven't!
Sometimes
I use loops in productions with a bunch of effects on them, perhaps just for rhythmic high
end. I'd never just 'use' a loop that I found to form the basis of a track, but I totally
get that that is what most dance producers too.
When I was at university I
gave some tracks to a well known dance production outfit and asked what their advice was
(back in the day) and there reply was 'Listen to a dance track you like, rip off the beat,
try to use the same sounds, follow the structure'. I actually lost a lot of respect for
them....
It's sad that music is getting to the point where it is just being
re-hashed in various guises. Still... has anyone read The 17
-------------------- Benbrick
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jellyjim
active member
Joined: 15/05/02
Posts: 2063
Loc: uk
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their approach might create content or let's be frank about it, product, but will it make
art? i think not
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vinyl_junkie
member
Joined: 24/06/03
Posts: 253
Loc: Kent, UK
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Quote jellyjim:
their approach
might create content or let's be frank about it, product, but will it make art? i think
not
To simply put it..thats
it! Spunkin' tracks up on a wall to fill a space and make some quick cash/cashing in but
huring the sceene. Those artist/genre sample cd's are awfull imo..sound like "xx" in
one click...nice!
No art or culture to it, what Shadow did on his first album
is totaly different.. His passion, the digging involved, the fact that he only used this
old MPC60, ADAT and a SL-1200 and the quality of the music sampled...it introduced guys
from hip hop to the likes of Tangerine Dream for example.
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The Pearl Works
Joined: 15/09/05
Posts: 170
Loc: North West
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Who remembers the "Amen" break?
http://www.youtube.com/watch?v=5SaFTm2bcac
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