I'm not talking about stereo 'effects'. I'm simply suggesting panning sounds across the
soundstage to separate them and add clarity. Sensibly panned mixes certainly don't have to
sound artificial - after all, how many bands do you hear that all stand in the middle of
the stage? And then have backing vocalists standing in the wings?!
And, as I said before, if *you* are happy with the mixes, then that's all that really
An Eagle for an Emperor, A Kestrel for a Knave.