stephencribbie
new member
Joined: 26/09/03
Posts: 4
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drum recording
#969253 - 09/02/12 01:27 PM
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So other than the obvious, "proper tuning" answer; I was wondering if anyone had any
techniques for reducing ring in the snare from the toms being hit. Tuning the drums
has got it most of the way there, and the ring is tolerable. Just looking to
improve,
Thanks for any help, have enjoyed this mag for years'
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paul tha other
Joined: 06/09/04
Posts: 301
Loc: scotland
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moongel is good..you can get it from most music shops......other than that its a tuning
all the way for me then if i think it could be tamed a little more i put some moongel on
it
-------------------- www.myspace.com/onemanandalaptop
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Guy Johnson
Joined: 02/05/03
Posts: 3955
Loc: Pembrokeshire
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Tune the snare down? Damping ring or pad for snare?
-------------------- PA stuff on FB
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Jack Ruston
Joined: 21/12/05
Posts: 4066
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Do you mean sympathetic rattle from the snare resonating as other elements are hit? As you say you can try tuning the snare up or down until it is less excitable so
to speak. But personally I wouldn't. It's debatable whether this behaviour is something
you really want to get rid of. The rattle adds to the attack of the other drums and it's
one of those things that makes a real kit sound better than samples. Furthermore, if you
subscribe to the 'tune the drums to the song' approach, that will take precidence. If you
subscribe to the 'tune to the shell' approach, equally that will take precidence too. So I wouldn't worry about it too much. It's a far greater issue when you have
sustained instruments playing in the same room which are exciting the wires at certain
frequencies. Jack
-------------------- www.jackruston.com
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stephencribbie
new member
Joined: 26/09/03
Posts: 4
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Re: drum recording
[Re: Jack Ruston]
#969325 - 09/02/12 05:32 PM
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Thanks Jack, I never considered a possible benefit from that sort of bleed, Ya,
I was definitely looking to stop the actual metal snare from vibrating when toms are
hit, hopefully without tuning the snare too far from where I like it or too much
dampening.
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Tartaruga
Joined: 04/09/10
Posts: 192
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Hi So,I’ll try to be clear,hum… Locate the harmonic you hear in your
snare,with your finger.Once you’ve found it,put a little bit of duct tape(a ‘little
bit’),you’re done!That way,you preserve the rest of the snare sound.Same for the
‘toms’… There are many different techniques,that’s the simplest one. Cheers Pedro
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Tartaruga
Joined: 04/09/10
Posts: 192
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Oh,and Jack has a point,don’t ‘kill’ your drum… Cheers
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Beat Poet
Joined: 21/01/12
Posts: 153
Loc: Hertfordshire, UK
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Quote stephencribbie:
So other
than the obvious, "proper tuning" answer; I was wondering if anyone had any
techniques for reducing ring in the snare from the toms being hit. Tuning the drums
has got it most of the way there, and the ring is tolerable. Just looking to
improve,
Thanks for any help, have enjoyed this mag for years'
If you're talking about the snares ringing,
could it be that you have the toms tuned too high? That's been a problem I've found, when
they're tight and are "singing" in a similar range to the snare.
-------------------- Do you need real drum tracks? http://www.drumtracksdirect.co.uk/
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Exalted Wombat
Joined: 06/02/10
Posts: 4204
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Quote stephencribbie:
So other
than the obvious, "proper tuning" answer; I was wondering if anyone had any
techniques for reducing ring in the snare from the toms being hit. Tuning the drums
has got it most of the way there, and the ring is tolerable. Just looking to
improve,
Good drummers
often seem to have damping rings or strategically positioned bits of tape on their snare
heads.
But be sure this is a real problem. Do you hear it when listening to
the whole kit, the whole band even? Or just when getting over-analytical on individual
tracks?
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Ian Hamilton
new member
Joined: 15/10/02
Posts: 969
Loc: Scotland
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or a teatowel over the whole skin works extremely well!
Colours optional
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Jack Ruston
Joined: 21/12/05
Posts: 4066
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On a side note, re the tuning. There are of course many ways to skin a cat, and it'd be
wrong to say that any approach is the only correct way. But for me, dampening to get rid
of ugliness is an issue. What you're doing in that situation is hiding a problem that
shouldn't really be there in the first place. Personally, I prefer to get the head and
tuning set up so that there's as much pure resonance and sustain as possible. That ring
should be pure and pleasing. If you then want less of it, you can dampen the drum in
whatever way...tea towel, gels, rings, wallet, whatever. What you tend to find is that
when that pure sustain sits in the track, it blends and vanishes, and you actually dont
need so much, if any, dampening. But if it's ugly, then there seem to be two variants for
me: Long and ugly, and short and ugly. I do appreciate that it takes time and sometimes
money (new heads) to get there. And that's not always an option we have. But
that's just me. I've seen other people use different approaches to great effect. J
-------------------- www.jackruston.com
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