I'm considering recording a lecturer, with one mic. Logistics may dictate that I have to
use my four track cassette for the job, and xfer to daw later. If this is the case I had a
wild idea, but don't know if it flies (strange I never tried this in two decades of using
I will be putting him on tk 1. When I xfer to daw, I will also include my
empty tk 4. My theory is that the hiss will be the same, and I can cancel it out by
flipping its phase and blending it in.
So might this work? Is hiss identical
across tape? In years of listening to 2 track masters the hiss never sounded like a stereo
event so I'm thinking I might be right.
Gear list: If you can't find it, grind it