Main Forums >> User Reviews

Spandau-Staaken



Reged: 15/03/06
Posts: 647
Loc: N.E. U.K.
EZ Drummer
      26/11/09 12:20 PM

For my acoustic drum VSTi needs, I have been a long term use of BFD (version 1.5), but my relationship with BFD has been love / hate.

The sounds are good but usability and reliabiltiy have sometimes been an issue for me.

I decided I wanted a 'simpler' solution. Not a comprimise on sound quality, but something that gave me top notch drum sound quality, 1000's of MIDI patterns, with fills, etc, and something easy to use; I don't need to mess with the drum mic set-up, etc, etc, I just wanted high quality patterns, with variations and fills, that I can drag and drop into a track in Reaper. I wanted to set up a drum track, with variations and fills in, like, 5 minutes!

Initially, I looked at DrumCore, as I got the free version from Computer Music magazine. DrumCore definately gives that easy 'usability' with a good, open browser and drag and drop. The performance of the playing is also top notch. But I was far from impressed with the sound quality of the recording of the drums. Perhaps DrumCore opted for a more 'dry sound' but to my ears, the drum parts sounded a little lifeless, flat and quite boxy.

The following month, CM magazine this time gave away EZ Drummer Lite, a heavily cut down version of EZ Drummer, which is usually bundled with some DAWs.

What a difference! Ridiculously easy and nice to use, a lovely GUI, fantastically arranged and performed parts, and absolutely top notch sound quality. The sounds are 'ready to use' in your track and by that I mean that they sound processed. Not over-processed, just processed; so if you add further processing, they will soon over-cook. The mixer section allows you to adjust bleed levels and mix your sound as you please. You can reduce that 'processed' sound and get a much drier sound. I personally like something in between.

The sounds are BIG; would they prove too big in my tracks, stealing all the thunder ? The answer is no, they just sound convincing and superb.

It was a wise decision of Toontrack to give EZ Drummer Lite away in the CM mag, because in my case at least, after using the lite version, I immediately wanted more, and ordered the upgrade to the full version, later the same day!

On that note; if you are thinking of buying EZ Drummer, the full price is £99. But if you buy this month's CM Magazine to get the free copy of EX Drummer Lite, you get entitlement to buy the upgrade version of EZ Drummer, which Time+Space are selling for £58. (Total cost £63 instead of £99!).

100% "BFD uninstalled and happy with my new high quality, low maintenance drummer"



D.

--------------------
What it says on the tin...

Post Extras Print Post   Remind Me!     Notify Moderator
Rate this thread

Jump to

Entire thread
Subject Posted by Posted on
* EZ Drummer Spandau-Staaken 26/11/09 12:20 PM
. * Re: EZ Drummer sc1460   30/05/11 11:26 PM
. * Re: EZ Drummer Les Behan   08/01/10 04:34 PM
. * Re: EZ Drummer onesecondglance   26/11/09 01:11 PM

Extra Information
0 registered and 0 anonymous users are browsing this forum.

Moderator:  David Etheridge, James Perrett, zenguitar, Martin Walker, Hugh Robjohns, Zukan, Frank Eleveld, Will Betts 



Forum Permissions
      You cannot start new topics
      You cannot reply to topics
      HTML is enabled
      UBBCode is enabled

Rating:
Thread views: 6277

 

Home | Search | News | Current Issue | Tablet Mag | Articles | Forum | Subscribe | Shop | Readers Ads

Advertise | Information | Digital Editions | Privacy Policy | Support

May 2013
On sale now at main newsagents and bookstores (or buy direct from the
SOS Web Shop)
SOS current Print Magazine: click here for FULL Contents list
Click image for May 2013
DAW Tips from SOS
 

Email: Contact SOS

Telephone: +44 (0)1954 789888

Fax: +44 (0)1954 789895

Registered Office: Media House, Trafalgar Way, Bar Hill, Cambridge, CB23 8SQ, United Kingdom.

Sound On Sound Ltd is registered in England and Wales.

Company number: 3015516 VAT number: GB 638 5307 26

         

All contents copyright © SOS Publications Group and/or its licensors, 1985-2013. All rights reserved.
The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers.

Web site designed & maintained by PB Associates | SOS | Relative Media