The Zoom Q3 addressed the issue with good mics and preamp circuitry, but it was an SD shooter that came out just when HD took over. Now Zoom has released the Q3HD to address that limitation, and they've added a few new features, particularly a Line In jack.
Camera Comparo
I've had my cam for a couple of days and the first thing I did with it was a comparison with the Kodak Zi8 and Sanyo Xacti HD2000, two cameras I bought because of their audio input features.
Here's a blog post with the details: http://www.homebrewedmusic.com/2010/11/28/a-first-look-at-the-zoom-q3hd/ a>
And here's the comparison video: http://www.youtube.com/watch?v=env3UPYfhBA
My impression after comparing these cams - the Zi8 is done here. Maybe mine is dying, but the video and audio quality really suffer in comparison to the Q3HD. The video on the Sanyo is superior, it includes features like manual white balance, manual exposure control, optical zoom, etc. But for audio, the Q3HD gives the Xacti a whipping.
A Music Video from the Q3HD
I tried out the in-camera editing features and created a music video without any external software. I used the Line In jack to feed the audio from a Rode NT4 and M-Audio DMP3, shot about five takes of an old Hawaiian song, Haole Hula, then trimmed the clip down to the one I preferred. The editing feature is quite simple, but it's enough to get rid of the extraneous material we often see at the beginning and end of homemade music vids.
Here's the clip that resulted: http://www.youtube.com/watch?v=qkLmTYSBLzo
Overall Impressions So Far
The overall feel of this product is pretty darned good. It seems better built than my trusty old Zoom H2, the controls are simple and effective, the menu system is easy to navigate and makes sense, the rear screen is large and bright.
One of my favorite features is the on-screen audio metering and live audio monitoring. In the past I've had to shoot multiple test shots to get my audio levels in the ballpark, but with this cam I can set levels easily and with confidence.
I'm a bit annoyed that the AC adapter is a separate cost item, because I often shoot a whole two hour performance without stopping the camera and the ability to use AC power along with a large SDHC memory card is the trick to getting very long shot times.
And while I was initially pleased to see a Line In jack, I'm now wishing a stereo mic input had been included as well. Even with the nice on-board mics the audio will be compromised by the distance required to frame the shot. In most spaces, a closer mic placement is preferable for a quiet instrument like acoustic guitar. The need for an external mic preamp will reduce the portability and ease of use in the field, not to mention the added cost.
So far I haven't tested any of the scene modes Zoom has engineered into the camera. These are advertised as improving performance in difficult situations like night shooting and concerts.
Fran
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E ho`okani pila kakou ma Kaleponi
www.kaleponi.com & www.homebrewedmusic.com
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