Quote ken long:
To all the "bed blockers", you could always get a pair of Studiospares to act as a prop and let others have a go on the real thing y'all despise so much.![]()
It has crossed my mind on more than one occasion!!
Love 'em or hate 'em, they are iconic. Between those and the name 'Neumann' on a couple of my mic's I have direct evidence that that they are part of the reason for clients booking with me. NS10s must be the ultimate 'he knows what he's doing' studio prop!
I have done mixes on NS10s many times. I went from Tannoy Stratfords, to Oxfords to NS10Ms when the Oxfords finally gave up the ghost. The Stratfords were always hard-sounding speakers to my ears, but the NS10s were a new experience entirely. I just couldn't get excited by the mix - no thundering drums or throbbing bass. I recall one occasion when a client warned me that I'd muted the Taurus bass pedals - I hadn't!
I really did persevere with them for around 18 months until I felt the need to go out and buy some more Tannoys – 66s for the 5.1 circle and 8Ds for main stereo monitoring. It was like coming back home. Finally I felt like bopping around the control room again.
Since then I’ve come to rely on headphones for pretty much 95% of the mixing task, so even the 8Ds sit idle much of the time. But when I want to hit a client between the eyes they do their job. But not once has anyone asked me which of my speakers they’re listening to!
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An Eagle for an Emperor, A Kestrel for a Knave.
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