How is this different somewhere like the US or most of mainland Europe, where out-of-town land is nearly free (at least in comparison to costs of building and equipment), and travelling a couple of hours is not thought to be a big deal? Granted you still need to build your space, but if there's only wildlife to hear you then it probably doesn't need to be so absolutely soundproofed, which saves some more money. (Sure you don't want to hear the wildlife on the recording, but stopping a nightingale's song getting in is easier than stopping a kW of bass amp getting out.) Has this led to more smaller studios being set up in the US and mainland Europe, since it's more feasible for a moderately-financed band or well-heeled/determined individual to go down this route?
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