Laptop users on a budget can't help but be tempted by the Audiotrak Maya 44 USB's promise of four-channel analogue I/O, low-latency ASIO drivers and multi-client support for under £100. Is it really as good as it sounds?
Convolving reverbs are coming down in price as more manufacturers make their own. We check out Emagic's new plug-in, which is one of the more affordable ones around, but still allows you to create your own reverbs from favourite spaces.
DSP convolving techniques now allow us to 'sample' the sound of real reverberant spaces, and even other digital reverbs. But why stop at reverb? Focusrite's Liquid Channel can be used to reproduce the effect of classic compressors and even mic preamps...
There's already a decent range of products providing digital emulations of vintage guitar amps, but iZotope's Direct X plug-in goes a lot further, offering no fewer than seven processing modules, and is intended to model every kind of distortion you'll ever need.
Novation's V-Station plug-in provided a software version of their hardware K-Station — now there's a software version of their mid-'90s hardware monophonic analogue bass synths, the BassStation and BassStation Rack...
ST Audio's DSP3000 system offers an impressive feature set for its price, boasting eight-channel 24-bit/96kHz analogue I/O with mic preamps on every channel, plus digital I/O in S/PDIF and AES-EBU formats, MIDI I/O, and the ability to function as a stand-alone analogue/ADAT digital converter.
Yamaha have taken a weighted keyboard from their latest digital pianos, added high-quality piano samples and Motif sounds, and thrown in a playback sequencer and arpeggiator, and master-keyboard facilities. Left to simmer, the S90 is the result...
Producer: Paul Rothchild • Engineeer: Bruce Botnick
Engineer and producer Bruce Botnick recorded some of the greatest artifacts of West Coast psychedelia, among them the first five albums by The Doors. Here he describes the making of their influential second album and its title track, which saw them develop their live sound through radical experimentation in the studio.
A whole world of free, inexpensive or just plain great VST plug-ins opens up for DP 4 users who also run FXpansion's indispensable VST to AU Adapter. We check out how it works and round up some DP news and tips to boot.
The beauty of PCs is that they are highly upgradeable. Swapping out your old motherboard for a new one, for example, is a feasible prospect for increasing performance without buying a whole new machine. If you're considering the process, though, there's a lot to bear in mind...
Since Lamb first came to prominence at the height of the mid-'90s trip-hop movement, Andy Barlow and Lou Rhodes' distinctive blend of electronica and organic songwriting has gone from strength to strength.
With their number one album Absolution, British three-piece Muse have established themselves as one of the most ambitious and innovative rock bands in the world — and in Rich Costey, they've found an engineer and producer who understands their aims and encourages them to experiment.
Different mixing consoles and multitrackers have different kinds of faders — long- and short-throw, motorised, touch-sensitive, conductive plastic, and so on. Clearly, not all faders are created equal, but what are the essential differences?
In my hardware-based setup, with my TC electronics Triple*C compressor, is it possible to do the kind of limiting on a full mix where you end up with a waveform that is levelled off at the top and bottom, 'brick wall'-style?
I'm having trouble getting my Roland JV1080 to work well with Emagic Logic Audio. When I change MIDI channel in Logic the sound disappears, or I can't get the sounds that I want to stay put. How can I get Logic and the JV to synchronise?