| Notes From The Deadline eSub |
Music Business |
December 2009 |
TV Music From The Inside As they say oop north: where there’s virtual brass, there’s muck.
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| Notes From The Deadline eSub |
Music Business : Music Publishing |
November 2009 |
| TV Music From The Inside The global financial meltdown would never have happened if only KPMG had modelled themselves on KPM.
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| Notes From The Deadline eSub |
Music Business |
October 2009 |
| TV Music From The Inside All too often, faking it represents the easy way out for the media composer. But if you can put in the effort to keep it real, you’ll reap the rewards.
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| Notes From The Deadline |
Music Business |
September 2009 |
| TV Music From The Inside Will your music become immortal, or simply indigestible? It’s all about context.
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| Notes From The Deadline eSub |
Music Business |
August 2009 |
| TV Music From The Inside Almost everything about being a composer of music for television is a gamble, except getting paid. That’s two gambles.
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| The Remix Business: Part 3 eSub |
Music Business |
August 2009 |
| Getting Technical As well as having all-round audio engineering ability, a remixer needs to be proficient in remix-specific processes. We explore the essential software and skills.
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| Notes From The Deadline |
Music Business |
July 2009 |
| TV Music From The Inside Pitching for work is frustrating, time-consuming and, unless you’re very lucky, unpaid. But at least the best demo (usually) wins.
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| The Remix Business: Part 2 |
Music Business |
July 2009 |
| Getting Creative We continue our insider’s guide to remixing with some practical tips on the creative decisions that will underpin your remix.
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| Notes From The Deadline |
Music Business |
June 2009 |
| TV Music From The Inside There’s learning, and there’s education. And when it comes to music technology, the two aren’t always connected, believes Paul Farrer.
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| The Remix Business: Part 1 |
Music Business |
June 2009 |
| The World Of The Remixer Remixing is a modern phenomenon that has turned into a viable way for hi-tech musicians to make money from their skills. But how do you get heard, how do you land a job, and how much should you charge to do it? We get you started with the insider’s guide.
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| Notes From The Deadline |
Music Business : Rights Protection |
May 2009 |
| TV Music From The Inside Only in the perverse world of music for the media could composers be asked to rip themselves off for money. It’s time to take a stand against the rise of the 'soundalike'.
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| Notes From The Deadline |
Music Business |
April 2009 |
| TV Music From The Inside Your showreel can say a lot about you. And if it’s going to get you work, what it needs to say is: trust me.
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| Notes From The Deadline |
Music Business : Music Publishing |
February 2009 |
| TV Music From The Inside Beware of TV executives bearing publishing contracts...
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| Notes From The Deadline |
Music Business |
January 2009 |
| TV Music From The Inside When it comes to pitching music to TV executives, there are only two golden rules. The first is to meet the brief, however sketchy it might be. The second? Never, ever try to be cool.
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| Notes From The Deadline |
Music Business |
December 2008 |
| TV Music From The Inside Progress is a wonderful thing, if you're a composer of music for the media and you dream of a poolside studio in the Bahamas.
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| NEW SERIES: Notes From The Deadline |
Music Business |
October 2008 |
| TV Music From The Inside Renowned TV composer Paul Farrer begins a new series of despatches from the front line by asking: what sort of person do you have to be to succeed in the cut-throat world of music for the media?
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| A Guide To Contracts For Producers |
Music Business |
July 2008 |
| Deal Or No Deal? The role of the producer is changing, and whether you're freelancing for record companies or developing new bands independently, it's vital to put your relationship with label and artist on a solid legal footing.
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| Cash Flow |
Music Business |
December 2007 |
| How Your Music Earns You Money With album sales in free fall, alternative revenue streams are becoming ever-more important. We explain where today’s songwriters can look to earn money from their music.
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| Start Your Own Record Label |
Music Business |
September 2007 |
| Marketing your music in a digital world The world of music retail is changing fast, with digital distribution bringing new opportunities for independent record labels. Our in-depth guide to starting, running and developing your own business will help you get up to speed.
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| Recording Contracts Explained |
Music Business |
April 2007 |
| Our guide to contract terms, written by an entertainment lawyer A recording contract might seem like the Holy Grail, but record labels are not charity concerns and their contracts are not set up with your interests in mind. Our guide to contract terms, written by an entertainment lawyer, explains what it all means and what the implications are for the artist.
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| Big George's Big Mouth |
Music Business |
February 2007 |
| Music Industry comment This month Big George examines the cut of the music industry's new clothes...
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| Big George's Big Mouth |
Music Business |
January 2007 |
| Sacred Cows This month, Big George takes a swipe at a few sacred cows in the name of fair play.
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| Big George's Big Mouth |
Music Business |
December 2006 |
| Solitaire? Big George takes a critical look at what seems to be the only game in town: solitaire.
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| Behind The Desks |
Music Business |
November 2006 |
| A Guide To Producer Management Want to spend more time in the studio and less on the phone to accountants and record company executives? A producer manager could take care of the business and develop your career into the bargain. Find out how...
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| Big George's Big Mouth |
Music Business |
November 2006 |
| Musical identities This month Big George wonders: has music lost its identity?
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| Big George's Big Mouth |
Music Business |
October 2006 |
| Recording '(Is This The Way To) The World Cup' This month sees the return of iconoclastic composer, DJ and music industry commentator Big George to the pages of Sound On Sound — and you thought we'd sacked him for good...
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| Distributing Your Music Online |
Music Business : Online Music |
August 2006 |
| Today The Bedroom, Tomorrow The World! Thanks to iTunes, online music distribution is a reality — but can you really use it to make money from your own music?
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| Getting the most from the MIDEM Show |
Music Business |
May 2006 |
| Music Business The annual MIDEM conference is the music industry's biggest shop floor and networking opportunity — and whether you're an artist, a DJ or a producer, you can do business there. Read on...
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| Music Publishing |
Music Business |
December 2005 |
| Everything You Wanted To Know (But Were Afraid To Ask) If you want to make money as a songwriter, composer or lyricist, the obvious answer is to find yourself a publisher. But what do music publishers actually do for their clients? Why do you need one, and how can you find the right one?
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| Creative Commons, Copyright & The Independent Musician |
Music Business |
January 2005 |
| New Approach To Copyright Licensing As the music industry struggles to adjust to the growing effects of the Internet on sales, even traditional concepts such as copyright are being reconsidered. We examine the Creative Commons movement and explain how it could be useful to musicians everywhere.
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