| Adam S3XV eSub |
Reviews : Monitors |
December 2009 |
Studio Reference Monitors Adam make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. 
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| JBL LSR 2300 eSub |
Reviews : Monitors |
November 2009 |
Monitor Speakers JBL have a reputation for clinically precise monitors, but this time theyve come up with something a little smoother... 
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| Equator Audio Q8 eSub |
Reviews : Monitors |
October 2009 |
Active Monitors Coaxially-mounted speakers may seem a bit old-school, but theres nothing wrong with the theory — and a touch of DSP can make them very modern indeed! 
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| M-Audio Studiophile DSM1 eSub |
Reviews : Monitors |
September 2009 |
DSP Reference Monitors Built-in DSP extends the flexibility and usefulness of these capable speakers. 
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| Event Opal eSub |
Reviews : Monitors |
August 2009 |
Studio Monitors Events new owners make some extravagant claims for these new high-end monitors, whose design is said to put quality first. Do they live up to the hype? 
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| Samson Resolv A6 & 120A |
Reviews : Monitors |
July 2009 |
Studio Monitors & Subwoofer Samsons new low-cost nearfields can produce a big sound, but do they measure up for serious mixing? We find out. 
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| Prodipe Pro Ribbon 8 |
Reviews : Monitors |
June 2009 |
Active Monitors Ribbon tweeters can yield a smooth sound, while still capably reproducing transient detail — and the Pro Ribbon range promises to do so for an attractive price. 
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| Focal CMS65 |
Reviews : Monitors |
April 2009 |
Active Nearfield Monitors Focal control everything from design to manufacture in their factory in France — and this approach appears to be paying off. 
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| Klein+Hummel O410 |
Reviews : Monitors |
February 2009 |
Active Midfield Monitors Getting the balance right between the benefits and disadvantages of ported and non-ported speaker designs is a tricky job, and K+H do it better than most with this ported model. 
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| APS IO |
Reviews : Monitors |
January 2009 |
Studio Reference Monitors This is a first outing in SOS for Polish speaker manufacturers APS, but they're already impressing us. 
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| Adam A5 |
Reviews : Monitors |
December 2008 |
Active Nearfield Monitors Adam have gained a strong reputation for the quality and value for money of their larger reference monitors, but have they had to make any compromises in their smallest model? 
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| KRK RP6 G2 |
Reviews : Monitors |
November 2008 |
Active Studio Monitors These monitors may look like their more expensive siblings, but do they also share the family sound? 
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| Genelec 8130A DSP 2.1 |
Reviews : Monitors |
October 2008 |
DSP Monitoring System Genelec have earned a reputation for good-sounding small monitor speakers, but can their DSP system make them sound even better? 
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| KRK VXT6 & VXT8 |
Reviews : Monitors |
August 2008 |
Active Studio Monitors The mid-priced studio monitor market is competitive. So what sets KRK's new offerings apart from the crowd? 
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| Mackie MR Series |
Reviews : Monitors |
July 2008 |
Active Studio Monitors Last year Mackie impressed us with their HR Mk2 series of studio monitors, but they've now introduced new models at roughly half the price. Surely this means there are compromises? 
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| Samson MediaOne 4a |
Reviews : Monitors |
June 2008 |
Powered Monitors Obviously, a good multimedia system is better than a bad one, but will a good one be adequate in a home studio? 
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| Acoustic Energy AE22 |
Reviews : Monitors |
May 2008 |
Active Monitors Like the venerable Yamaha NS10, this nearfield design puts accurate time-domain response at centre stage - but what does that mean for your mixes? ????? 
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| Tannoy Precision 8iDP |
Reviews : Monitors |
April 2008 |
Active DSP Monitors The latest iteration of Tannoy's Precision 8 includes an intriguing on-board DSP room-correction system. 
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| Blue Sky Exo 2.1 |
Reviews : Monitors |
March 2008 |
Active Stereo Monitors & Subwoofer If you need a monitor system that can double up for more general multimedia listening, the Exo 2.1 could be just what you're looking for... 
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| AVI ADM9 |
Reviews : Monitors |
February 2008 |
Active Monitors AVI have a reputation for excellent hi-fi speakers, but with this system they hae turned out a real studio gem. 
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| ESI Near08 |
Reviews : Monitors |
January 2008 |
Nearfield Active Monitors Can you expect decent project-studio performance from monitors costing under £300? Let's find out... 
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| KRK Exposé E8B |
Reviews : Monitors |
December 2007 |
Active Studio Monitors KRK aim at the market for top-quality monitoring with these heavyweight new contenders. 
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| Blue Sky Big Blue |
Reviews : Monitors |
November 2007 |
2.1 Monitor System The biggest Blues in the Blue Sky Range aim to be the best — and they don't disappoint. 
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| Digidesign RM2 |
Reviews : Monitors |
October 2007 |
Professional Reference Monitors Digidesign may be better known for Pro Tools, but the RM-series speakers are every bit as 'pro' as their heritage suggests. 
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| Mackie HR824 Mk2 & HR624 Mk2 |
Reviews : Monitors |
September 2007 |
Active Studio Monitors The HR-series monitors have been hugely popular, but Mackie have still managed to find room for improvement. 
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| KRK VXT4 |
Reviews : Monitors |
August 2007 |
Active Nearfield Monitors More often than not, project studios don't have the luxury of a large room, so it's good to know that compact monitors like these KRKs can produce serious results in smaller spaces. 
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| Klein+Hummel O 110 |
Reviews : Monitors |
July 2007 |
Compact Studio Monitors These monitors may be small, but they punch well above their weight. 
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| SLS PS8R |
Reviews : Monitors |
June 2007 |
Studio Monitors We lend an ear to a pair of monitors from a US company just starting out in the British studio market. 
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| Yamaha MSP7 |
Reviews : Monitors |
May 2007 |
Studio Monitors If you want a modern take on the classic NS10, this Yamaha monitor might be just what you're looking for. 
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| Avantone Mixcubes |
Reviews : Monitors |
April 2007 |
Secondary Reference Monitors Do your mixes translate well to radio or consumer audio systems? If not, the Mixcubes might be just what you need... 
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