| Digital Performer 7: Guitar Greats eSub |
Technique : Digital Performer Notes |
December 2009 |
Digital Performer Notes & Techniques DP7 includes enticing new features ideal for guitarists. Here’s a quick-start guide to the best of them.
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| Digital Performer: Alternative Versions eSub |
Technique : Digital Performer Notes |
November 2009 |
| Digital Performer Notes & Techniques When you need to tweak or re-work a track to produce alternative versions, DP has features that make it easy.
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| Digital Performer: Cleaning Up Noisy Tracks eSub |
Technique : Digital Performer Notes |
October 2009 |
| Digital Performer Notes & Techniques Digital Performer has a great range of features to help you avoid and clean up noise in your recordings.
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| Using Time Formats In Digital Performer eSub |
Technique : Digital Performer Notes |
September 2009 |
| Digital Performer Notes & Techniques Digital Performer’s time-display and grid features are the key to several cool techniques, including instant glitch effects.
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| Customising Digital Performer eSub |
Technique : Digital Performer Notes |
August 2009 |
| Digital Performer Notes & Techniques Save time and make Digital Performer work just how you like it, with easy custom templates and preferences tweaks.
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| Multitrack Comping in Digital Performer |
Technique : Digital Performer Notes |
July 2009 |
| Digital Performer Notes & Techniques Comping multitrack audio needn’t be a headache with new features in Digital Performer 6.
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| Effective Selecting & Locating In Digital Performer |
Technique : Digital Performer Notes |
June 2009 |
| Digital Performer Notes & Techniques The ability to move around your project quickly and easily, making fast and accurate selections for editing, can take much of the pain out of music production. We round up some of the best power-user shortcuts.
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| CD Burning With Digital Performer 6 |
Technique : Digital Performer Notes |
May 2009 |
| Digital Performer Notes & Techniques MOTU's Digital Performer 6 hugely simplifies the task of CD burning, while at the same time allowing more complex burning tasks to be undertaken. We talk you through the options.
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| File-format Troubleshooting In Digital Performer |
Technique : Digital Performer Notes |
March 2009 |
| Digital Performer Notes & Techniques We present a DP-user’s guide to troubleshooting audio files and formats, and pass on tips for when the unthinkable happens...
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| Guitar Recording Methods In Digital Performer |
Technique : Digital Performer Notes |
February 2009 |
| Digital Performer Notes & Techniques Achieving exactly the recorded guitar tone you’re after is easier than it’s ever been, with the facilities on offer in a DAW package such as Digital Performer...
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| Digital Performer 6: More New Features |
Technique : Digital Performer Notes |
January 2009 |
| Digital Performer Notes & Techniques Version 6 of DP comes with improved hosting of Audio Unit plug-ins — but what does that mean for the MAS format? We consider the issues, and bring you a guide to DP's new bundled convolution reverb, ProVerb.
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| Plug-in Management In Digital Performer |
Technique : Digital Performer Notes |
December 2008 |
| Digital Performer Notes & Techniques If you've lots of third-party plug-ins in different formats, it can be a pain to keep tabs on where they're stored and which version to use. We explain how DP's plug-in manager functionality can help, as well as offering guidance on DP6 features, including the essential new 'pre-generation'.
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| Digital Performer 6 Upgrade Guide |
Technique : Digital Performer Notes |
October 2008 |
| Digital Performer Notes & Techniques Digital Performer has retained the same basic look and feel from its introduction right up to version 5.13 — but no more. The new DP6 looks almost like a different application, and conforms much more to OS X standards, so this month we bring you the first-look guide to what's new.
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| Digital Performer's Memory Cycle Feature |
Technique : Digital Performer Notes |
September 2008 |
| Digital Performer Notes & Technique DP's Memory Cycle can benefit you whatever kind of music you make. We look at how to work smart and fast with this crucial feature.
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| Digital Performer: Looping |
Technique : Digital Performer Notes |
August 2008 |
| Digital Performer Notes & Techniques How do you create a four-minute masterpiece out of just a few measures? And what's the best reverb to make you sound like that drumming gorilla on the TV ad? These questions, and more, answered in this month's Digital Performer workshop...
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| Digital Performer's Drum Editor |
Technique : Digital Performer Notes |
July 2008 |
| Digital Performer Notes & Techniques DP's Drum Editor provides a unique environment for programming and editing MIDI data, free from the 'piano roll' - and it's not just for drums, either. We look at how to get the best from this great feature.
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| DP Audio Production Tricks |
Technique : Digital Performer Notes |
June 2008 |
| Digital Performer Notes & Techniques DP offers an excellent environment for working with the little pieces of 'ear candy', such as filtered drops, beat-mangled breaks and reversed audio phrases, that can make such an impact in pop and electronica production. We look at some of the techniques involved.
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| Audio Slicing In Cubase 4 |
Technique : Digital Performer Notes |
May 2008 |
| Cubase Notes & Techniques The tools for audio slicing were overhauled in Cubase 4.1. Find out how to get the best from them.
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| Using The Liquid Mix With Digital Performer |
Technique : Digital Performer Notes |
May 2008 |
| Digital Performer Notes & Techniques We offer a clutch of hints and tips for DP users considering adding a Focusrite Liquid Mix DSP plug-in platform to their setup.
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| Input Monitoring in Digital Performer |
Technique : Digital Performer Notes |
March 2008 |
| Digital Performer Notes & Techniques There's more useful stuff than you can shake a stick at this month, including advice on input monitoring, ways to get around latency issues, and news of CD-burning and audio networking applications to make your life easier.
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| Complex DP Monitoring Techniques |
Technique : Digital Performer Notes |
February 2008 |
| Digital Performer Notes & Techniques Everyone performs better when they can hear exactly what they need in their headphones. After our guide to simple DP monitor mixing options last month, we follow up with ideas for those with more complex monitoring requirements.
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| Effective Monitor Mixing With Digital Performer |
Technique : Digital Performer Notes |
January 2008 |
| Digital Performer Notes & Techniques With so many exciting features on offer in modern DAWs, it's easy to overlook less glamorous things that you need every day. A prime example is proper monitoring — not sexy, but a crucial factor in successful multitrack recording.
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| Using Digital Performer With Reason |
Technique : Digital Performer Notes |
December 2007 |
| Digital Performer Notes & Techniques Propellerhead's Reason software studio offers some great instruments and makes a good partner for DP - but there are various things to be aware of if you want to create the most hassle-free partnership. Our in-depth look at using the two applications together explains it all.
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| MachFive 2 & Digital Performer |
Technique : Digital Performer Notes |
November 2007 |
| Digital Performer Notes We take a look at how MOTU's new MachFive 2 sampler integrates with Digital Performer 5, explore a DP plug-in that makes it easier to work with MIDI controllers, and round up the customary batch of news and tips for DP users.
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| Managing Audio Plug-ins In Digital Performer |
Technique : Digital Performer Notes |
October 2007 |
| Digital Performer Notes & Techniques DP supports a wide range of plug-in and virtual instrument formats, which is great for flexibility and variety but sometimes not so good when it comes to trouble-free operation. We explain how to take the pain out of plug-in management.
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| Audio Regions & CD Creation in Digital Performer: Part 2 |
Technique : Digital Performer Notes |
September 2007 |
| Digital Performer Notes & Techniques DP's native Sound Designer II audio format can carry region information within files. That fact may not sound especially significant — but with the help of our guide you can use it to help you compile and burn CDs quickly and easily.
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| Preparing Tracks For CD Burning |
Technique : Digital Performer Notes |
August 2007 |
| Digital Performer Notes & Techniques This month, a look at how some of DP's features can be used to co-ordinate multiple finished tracks prior to burning an album or EP.
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| Using Real-time MIDI Plug-ins In Digital Performer |
Technique : Digital Performer Notes |
June 2007 |
| Digital Performer Notes & Techniques MIDI plug-ins are often overlooked, regarded perhaps as the poor relations of the more glamorous audio type, but they can give you real power-user status if you take the trouble to investigate their capabilities.
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| Understanding Dither In Digital Performer |
Technique : Digital Performer Notes |
May 2007 |
| Digital Performer Notes & Techniques If you're serious about digital audio you need to know about dither — both what it is and when to use it. So here it is: the SOS Digital Performer dither primer.
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| Audio Networking With Digital Performer |
Technique : Digital Performer Notes |
April 2007 |
| Digital Performer Notes & Techniques Last month, we looked at OS X's Network MIDI capabilities, and how they get along with DP. This time, we go even further, into the brave new world that is network audio and remote access. Prepare to give your network connection a workout...
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