| Logic: Using Flex Time On Multitracked Drums eSub |
Technique : Logic Notes |
December 2009 |
Logic Notes & Techniques Part 2 focuses on using the magic of Flex Time for easier quantising of multitracked drums.
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| Logic | Using Flex Time on Vocals eSub |
Technique : Logic Notes |
November 2009 |
| Logic Notes & Techniques Part 1: Try out Logic 9’s show-stopper addition, Flex Time, which lets you manipulate audio timing as never before.
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| Logic: Working With The Transform Window eSub |
Technique : Logic Notes |
September 2009 |
| Logic Notes & Techniques Complex tasks of all kinds can be done quickly and easily with Logic’s Transform window.
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| Logic's Master Blasters: Part 2 eSub |
Technique : Logic Notes |
August 2009 |
| Logic Notes & Techniques Part 2: We turn to Logic’s dynamics processing in our quest for a polished master.
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| Logic's Master Blasters |
Technique : Logic Notes |
July 2009 |
| Logic Notes & Techniques Part 1: Use Logic’s EQ and SubBass plug-ins to give some mastering polish to your mixes.
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| Creating Custom Touchscreen Interfaces In Logic |
Technique : Logic Notes |
June 2009 |
| Logic Notes & Techniques You'll be surprised at how cheap and easy it can be to enhance the usability of your Apple Logic setup with a touchscreen.
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| Advanced Mixing In Logic Pro 8: Part 2 |
Technique : Logic Notes |
May 2009 |
| Logic Notes & Techniques We offer a second set of tips to enhance your corrective and creative mixing skills.
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| Advanced Mixing In Logic Pro 8: Part 1 |
Technique : Logic Notes |
April 2009 |
| Logic Notes & Techniques A professional producer and mixer passes on his favourite Logic mixing methods, starting this month at the bottom, with tips for bass and drums.
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| Dynamic Mixing In Logic 8 |
Technique : Logic Notes |
March 2009 |
| Logic Notes & Techniques Apple Logic 8’s mixer is endlessly configurable, and knowing how to make its flexibility work for you will result in faster and easier mixing.
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| Apple Logic Pro: Vocal Production Part 2 |
Technique : Logic Notes |
February 2009 |
| Logic Notes & Techniques Your toolkit for producing polished, contemporary-sounding vocals should include appropriate EQ techniques and subtle ambience processing. Enter the workshop...
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| Vocal Production In Logic Pro: Part 1 |
Technique : Logic Notes |
January 2009 |
| Logic Notes & Techniques Dynamics control without compression, tuning for dummies, and vocoding for fun and profit... There's all this and more in part one of our complete vocal production masterclass.
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| Looking After Logic |
Technique : Logic Notes |
December 2008 |
| Performance & Maintenance Tips Housekeeping tasks might not be as much fun as making music, but staying on top of them should ensure safely backed-up tracks and a hassle-free system performing at its best.
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| Quantisation & Groove Functions In Logic |
Technique : Logic Notes |
November 2008 |
| Logic Notes & Techniques Logic's quantisation facilities can do lots more than just helping you to tidy up sloppy timing — although they can certainly do that. Here's a simple guide to some of the possibilities.
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| Using Logic's Takes Feature For Comping |
Technique : Logic Notes |
October 2008 |
| Logic Notes & Techniques Logic 8's 'Takes' functionality makes comping together several different passes of the same part quick and easy. We show you how to do it.
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| Logic: Understanding Ultrabeat |
Technique : Logic Notes |
September 2008 |
| Part 2: The Synthesizer Section Ultrabeat has powers beyond simple drum pattern creation, offering a synthesis section that's the key to more varied percussive sounds and rhythmic effects.
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| Understanding Ultrabeat: Part 1: The Basics |
Technique : Logic Notes |
August 2008 |
| Logic Notes & Techniques Not everyone finds drum programming easy, and if you're one of the rhythmically challenged, Logic's Ultrabeat drum synth could be your ticket to more interesting and sophisticated percussive parts.
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| Better Logic Scores: Part 2: Further Improvements |
Technique : Logic Notes |
July 2008 |
| Logic Notes & Techniques We covered the basics of score production last month; now it's time to learn more about presentation, with the aim of creating scores that really look the part.
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| Better Logic Scores: Part 1: The Basics |
Technique : Logic Notes |
June 2008 |
| Logic Notes & Techniques If you want real musicians playing your composition but have no idea how scores should be presented for them, you can still make playable Logic parts with our simple guide.
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| New Instrument Features In Logic Pro 8 |
Technique : Logic Notes |
May 2008 |
| Logic Notes & Techniques Logic Pro 8 may not have new software instruments, but scratch beneath the surface and you'll discover significant improvements to what was already an impressive collection.
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| Logic's Best-kept Secret: Hyper Editing |
Technique : Logic Notes |
April 2008 |
| Logic Notes & Techniques Logic's Hyper Editor is a powerful way of creating and manipulating MIDI data, but it's often overlooked. We give you the low-down in this advanced workshop, and suggest some ways of using the Hyper Editor in your music.
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| Drum Editing & Replacement In Logic Pro |
Technique : Logic Notes |
March 2008 |
| Logic Notes & Techniques You're given a Logic project with a less than impressive drum recording, and you need to make it sparkle. Do you book another recording session, get down to some serious editing, or replace the whole lot with samples? Delay your decision until you've read this article...
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| Making Impulse Responses with Logic's IR Utility |
Technique : Logic Notes |
February 2008 |
| Logic Notes & Techniques Convolution is the technology du jour for creating convincing reverbs, and if you're a Logic Studio bundle owner, you already have a utility that will let you get into it yourself, by creating custom impulse responses for the Space Designer plug-in.
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| Logic Pro 8's New & Improved Effects |
Technique : Logic Notes |
January 2008 |
| Logic Notes & Techniques The newest version of Logic features powerful new effects, alongside improvements to existing ones. We explore what they have to offer.
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| Integrating Outboard Hardware With Logic |
Technique : Logic Notes |
December 2007 |
| Logic Notes & Techniques Many Logic users have external hardware processors and effects units, which can easily be used inside projects. Read on to find out how...
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| Expressive Sound Design With EXS24 |
Technique : Logic Notes |
November 2007 |
| Logic Notes & Techniques Logic's built-in EXS24 sampler is a powerful tool for playing realistic instruments, but dig a little deeper and you'll also find unlimited potential for sound design.
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| Audio Editing In Logic's Arrange Window |
Technique : Logic Notes |
October 2007 |
| Logic Notes & Techniques It's now possible to carry out most of your audio editing exclusively in one Logic window. We take a look at the improved Arrange window functionality and discover how it can transform your editing experience.
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| Using Multi-channel & Multitimbral Plug-ins |
Technique : Logic Notes |
September 2007 |
| Logic Notes & Techniques Making the most of your virtual instruments in Logic can involve some complex Environment trickery, but the results are rewarding.
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| Using REX Files In Logic |
Technique : Logic Notes |
August 2007 |
| Logic Notes & Techniques You might consider the REX file to be just another format on the list of audio import options, but it can actually be used to achieve some very creative results. We take a look at what's possible.
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| Working With Video In Logic |
Technique : Logic Notes |
July 2007 |
| Logic Notes & Techniques Working to moving images in Logic is now easier than ever, given its improved editing tools and Global Track functionality. We explore how these features can enhance workflow and offer some tips for making the most of your audio-visual experience.
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| ES2: Logic's Most Sophisticated Virtual Analogue Synth |
Technique : Logic Notes |
June 2007 |
| Logic Notes & Techniques The ES2 synthesizer within Logic is a powerful beast. We take a look at what it has to offer in this handy reference guide...
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