Q. How should I re-record live Vocals?

Sveinung S. Nygaard

The practice of replacing live gig vocals with new ones recorded in the studio is fairly common — but should you use a stage mic or a studio model for the re-recording? The practice of replacing live gig vocals with new ones recorded in the studio is fairly common — but should you use a stage mic or a studio model for the re-recording?

Technical Editor Hugh Robjohns replies: You could get acceptable results with either — it is a matter of personal preference and depends upon the character you want in your final version. There are plenty of commercial tracks on which artists have used an SM58 in the studio. While the technical quality of the mic is not up to that of a good large-diaphragm studio condenser mic, sometimes it provides the sound that the song needs, and sometimes the artist just performs better when working with a familiar stage mic. So it's your call, but I think most live albums like this are re-voiced using a conventional large diaphragm condenser mic.

The live vocal spill via the PA and audience mics will be very coloured, inherently, and you won't match it with the SM58 or a studio condenser anyway, so all you can do is keep the spill as low as is practicable during each track and bring it up between tracks in the time-honoured way. 

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