Ilitch Electronics PGNCS-T | Media

Telecaster Noise-cancelling System

 
Dave Lockwood
The following audio files demonstrate the difference made by the Ilitch Tele Plate noise‑cancelling system (www.soundonsound.com/sos/jun12/articles/Ilitch-pgncs-T.htm).
Download | MP3 1.5 MB
Download | WAV 10 MB
This screen shows how the audio file examples were created: the red clip is from before installing the Ilitch noise canceller; the purple clip was recorded after install; and the red and purple clip shows the random cuts between the two clips. Have a listen and see if you can hear the difference!
This screen shows how the audio file examples were created: the red clip is from before installing the Ilitch noise canceller; the purple clip was recorded after install; and the red and purple clip shows the random cuts between the two clips. Have a listen and see if you can hear the difference!
IlitchClipWithHum
A brief audio clip recorded before installing the Ilitch hum‑cancelling unit for Tele. I used a high‑gain sound of the sort where hum pickup is usually a problem for single‑coil guitars. As usual, the hum is substantially masked by the guitar sound, but becomes evident as soon as the playing stops. No audio compression was used in recording or bouncing these clips, as that always exacerbates low‑level noise, such as hum pickup.
IlitchClipNoHum
The same phrases recorded after installing the noise‑cancelling unit, using the same guitar and amp settings, mic position and gain structure. The tail‑out after the playing stops is now almost completely clean, with only a little amp noise evident.
IlitchClipIntercut
Random edits between the ‘hum’ and ‘no‑hum’ clips. There is no significant tonal difference, to my ears, beyond perhaps the fact that the clips were recorded on different days (I may have simply played them slightly differently) and the post‑install clip has new strings. The amount of noise reduction is most dramatically demonstrated during the alternating sections at the end.
HumNulling
One for the real enthusiast! Tweaking the preset pot during install to find the most effective null point. The unchanging background amp hiss serves as a reference to demonstrate that the clip level is not changing, only the amount of hum.  0

 

Home | Search | News | Current Issue | Tablet Mag | Articles | Forum | Subscribe | Shop | Readers Ads

Advertise | Information | Digital Editions | Privacy Policy | Support


SOS Readers Ads
GRAB A BARGAIN

£867,715

of Second-User Gear for sale now — don't miss out!
WIN Great Prizes in SOS Competitions!
 

Email: Contact SOS

Telephone: +44 (0)1954 789888

Fax: +44 (0)1954 789895

Registered Office: Media House, Trafalgar Way, Bar Hill, Cambridge, CB23 8SQ, United Kingdom.

Sound On Sound Ltd is registered in England and Wales.

Company number: 3015516 VAT number: GB 638 5307 26

         

All contents copyright © SOS Publications Group and/or its licensors, 1985-2013. All rights reserved.
The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers.

Web site designed & maintained by PB Associates | SOS | Relative Media