My outboard equalisers have no level or peak indicator, what would be the correct way to output the signal from my DAW (Logic) via an RME Fireface 800 audio interface?
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I’m struggling to understand what’s really happening when you use different compression ratios. Can you explain please?
I increasingly hear people extolling the virtues of a multi-bus system for mix processing, where you mix everything to a handful of parallel submasters, each with its own master-bus-style processing, before passing a mix of all those to the overall master bus. What’s the rationale behind this technique?
I use an ART S8 eight-channel mic splitter, a passive device, to send mic signals to two separate recording systems...
I’ve been reading up about reference tracks for mixing and mastering, and I want to increase both the amount and range...
I recently bought myself a pair of Event Opal speakers. I’ve only had them for about 10 days, so I’m still...
I’ve got to the point at mixdown where I’d usually be thinking about sending everything through a couple of global reverbs/delays with a view to simulating a soundstage. Would this have actually been possible for a mix engineer in that decade?
Bearing in mind my room is untreated and I do the bulk of my mixing on headphones.
Musician Chris Thile is quoted as saying he'd decided never to record wearing headphones again. I don’t get this. What’s wrong with headphones?