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Sound Advice: Recording
I recently bought a Zoom H6 recorder, and am confused how its Mid-Sides recording works. Could you explain?
Perhaps I do not understand the proximity effect very well! But my question is this: can you decrease the proximity effect solely by lowering the volume?
I’m using Ableton Live and bounced my last few finished tracks in the 32-bit float format. I’d rather not have too many different versions of the same tracks floating around, so is there a preferred word length for when I bounce files out for mastering?
I want to add a Cuica drum part to a Latin jazz fusion piece and have a nice Cuica drum similar size to the one in this...
Technical Editor Hugh Robjohns: In last month’s SOS we printed a query derived from the SOS...
My outboard equalisers have no level or peak indicator, what would be the correct way to output the signal from my DAW (Logic) via an RME Fireface 800 audio interface?
I’m struggling to understand what’s really happening when you use different compression ratios. Can you explain please?
I’ve got to the point at mixdown where I’d usually be thinking about sending everything through a couple of global reverbs/delays with a view to simulating a soundstage. Would this have actually been possible for a mix engineer in that decade?
Bearing in mind my room is untreated and I do the bulk of my mixing on headphones.
Musician Chris Thile is quoted as saying he'd decided never to record wearing headphones again. I don’t get this. What’s wrong with headphones?
I’m looking for extremely detailed and natural omnidirectional microphones for two-channel small ensemble recordings on location.