I’ve been reading up about reference tracks for mixing and mastering, and I want to increase both the amount and range...
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I recently bought myself a pair of Event Opal speakers. I’ve only had them for about 10 days, so I’m still...
Bearing in mind my room is untreated and I do the bulk of my mixing on headphones.
I’ve got to the point at mixdown where I’d usually be thinking about sending everything through a couple of global reverbs/delays with a view to simulating a soundstage. Would this have actually been possible for a mix engineer in that decade?
Musician Chris Thile is quoted as saying he'd decided never to record wearing headphones again. I don’t get this. What’s wrong with headphones?
I’ve been looking for a compact CD transport to hook up to my home-studio DAC and I’m surprised by how expensive they are...
I’m looking for extremely detailed and natural omnidirectional microphones for two-channel small ensemble recordings on location.
I’m about to take on the task of running live backing tracks for Hacienda Classical live shows.
I have two sets of monitors. The first pair are 40 inches apart and the second, outside of these, around 55 inches apart.
I’ve read that pro gear should use balanced connections, but I’ve been looking for a mixer recently and find that most have unbalanced insert points. My interface uses balanced I/O, as does most of my outboard gear. What gives?