You are here
We sat down with songwriter/producer Jake Gosling ahead of his masterclass at ACM in Guildford, UK, to talk about creating better arrangements, getting the best out of performers, and the advantages of having a simple recording setup.
When it comes to mixing drums, few things have studio newcomers tearing their hair out more often than compression. We clarify matters by identifying a series of distinct drum-mixing tasks for which engineers commonly use compressors.
LA-based producer Eric Valentine (Queens Of The Stone Age, Slash) recreates the guitar sound from QOTSA's unique 2002 album, Songs for the Deaf. We look at every link in the chain from tuning and guitar choice through to amp settings, pedals, mic selection and post-processing.