Acoustics / Studio Design

When setting up a studio, the temptation is to make do with the existing wiring — but this can lead to problems with hum and interference, as Paul White explains.

Few of us are in a position to fit our houses with false walls, suspended ceilings and floating floors — so how can we create a reliable monitoring environment? Paul White explains that it's not as daunting as it seems.

Learning to solder is easy, inexpensive and can save both money and frustration. Paul White makes it as painless as possible — just as long as you pick up the soldering iron by the right end!

Modern tape recorders, both cassette and open-reel, are capable of giving years of service — but they can also deteriorate very quickly if not cared for. Paul White explains the essentials of cleaning and demagnetising.

In this final instalment, we present a practical overview of the 'room‑within‑a‑room' principle which is used in the construction of virtually all major studios.

Having dealt with walls and floors, we move on to the floors and ceilings of the studio, with a view to reducing sound leakage even further.

We turn our attention to uprating studio walls, as well as techniques for building sound‑isolating partitions.

This month, we examine doors and windows, the most vulnerable areas when it comes to sound leakage.

SOS begins an in‑depth series on practical studio design. This month, the emphasis is on measures you can take to soundproof your studio or practice room.