Welcome to the SOUND ON SOUND web site, the home of the world's premier music recording technology magazine.
We've been publishing our print magazine since 1985, growing in reputation and stature year-on-year. Our web site came later, housing our vast, continually-expanding, archive of highly informative articles (from January 1994 to the present day).
Every month, SOS print/online/tablet magazine delivers an unequalled mix of detailed, hands-on Product Tests of cutting-edge music hardware/software, covering all aspects of sound acquisition, editing and playback. Our producer/engineer/musician Interviews are second to none and there's a goldmine of "how to" Workshops and Tutorials (in the Technique section) to help you get the most out of your gear — whatever your level of expertise.
Search our treasure chest of current and archive articles
Articles on this site generally fall into 5 broad categories:
SOS is one of the few magazines in any sector to publish the entire editorial contents of our current print magazine in an online format (we call this the Web Sub), for the benefit of our ever-growing global community of subscribers. Some of the regular columns (eg. Sounding Off, Leader etc) and some teaser reviews are free for everyone to access. After 5 months, we unlock the current issue and add its articles to the 12,000+ available FREE on soundonsound.com via the SOS Search page, ready to answer your many questions and assist you in selecting the most appropriate tools for your music recording activities.
Here are links to just a few of the most recent articles...
Lauren Mayberry, Martin Doherty & Iain Cook: Producing Every Open Eye
Like any good SOS readers, Scots electro-pop trio Chvrches used the success of their debut album to buy more synthesizers...
Secrets Of The Mix Engineers: Tommaso Colliva & Rich Costey
Working on Muse’s hit album Drones gave Tommaso Colliva and Rich Costey unique insight into the extraordinary methods of hitmaking producer ‘Mutt’ Lange.
This month we meet a living legend of the audio industry, Mr Rupert Neve himself. Mr Neve’s designs have been a...
In 1939, Shure revolutionised the music industry with a microphone so successful that it is still in production today!
We visit the world-famous Blackbird Studios in Nashville to meet Jacquire King, the Grammy-winning producer of James Bay’s Chaos And The Calm.
Secrets Of The Mix Engineers: Dave O’Donnell
The art of music production lies in serving the song — and working with James Taylor, Dave O’Donnell felt that modern production trends would hinder his aim of capturing emotive performances.
Pioneer Of Electronic Music & Digital Synthesis
A visionary in the field of electronic music, John Chowning invented FM synthesis and set up CCMRA, one of the world’s most influential research centres.
Recording Yo-Yo Ma
Engineer Richard King has brought the art of ensemble recording to new heights in both classical and folk/pop spheres.
Throbbing Gristle’s highly individualist approach to music extended as far as making their own instruments and, ultimately, their own genre.
Secrets Of The Mix Engineers: Andy Selby & Bernie Herms
A combination of technical wizardry and old-school craft helped Bernie Herms and Andy Selby bring Josh Groban’s Broadway album to life.
Mixing Bowie, NIN & Katy Perry
Pete Keppler’s career has seen him mix shows for some of the biggest artists in the world. We asked him how it all happened.
Jolyon Thomas: Producing Are You Satisfied?
The success of Slaves’ debut album depended on producer Jolyon Thomas finding a way to bottle their raw live energy.
As one of the world’s leading mastering engineers, Vlado Meller has enjoyed great success — and his share of controversy.
In this video interview we meet the so-called “Einstein of live recording” to talk production, drum processing and when (and when not) to quantise.
Hailed as the first British acid house single, A Guy Called Gerald’s sublime ‘Voodoo Ray’ has since become a classic in its own right.
Bill Gould: Recording Sol Invictus
Recording and producing your own music is always a challenge — especially if, like Faith No More, your previous albums have been done by the best in the business!
Secrets Of The Mix Engineers: Shawn Everett
In the making of Alabama Shakes’ Sound & Color, producer Blake Mills and engineer Shawn Everett had almost unheard–of licence to experiment — and took full advantage.
Oasis’s 1996 gig at Knebworth marked the end of an era for point–source PA. We asked the people who made it happen what has changed since.
Andrew Barnabas & Paul Arnold
How do you write music for a TV show you haven’t seen yet? It helps if you can draw on years of experience composing for video games...
Audio Interfaces | Recording Systems
Music Software | Plug-ins
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