Audio Interfaces

The Fireface 802 picks up where its highly successful predecessor left off.

These compact devices boast more digital I/O than any other USB interface.

Can the iPad really be a serious recording tool? When you add a state-of-the-art audio interface from RME, quite possibly...

RME's interfaces get ever smaller — but this baby packs a powerful punch despite its miniature dimensions.

RME have established a solid pedigree for their extensive range of digital interfaces. Their latest model offers powerful functionality, and promises an unexpected extra for the future...

It may be small, but the RME Fireface UC is very powerful and boasts astonishingly low latency.

RME pass down some of the excellent features of their Fireface 800 to the more affordable 400 model, but have they cut any corners in doing so?

Until now, MADI interfacing has been restricted to high-end digital desks, but RME's affordable hardware brings it to the project studio market. If you need a lot of inputs or outputs within an ASIO environment, their soundcard and 64-channel MADI-to-ADAT converter could be the perfect choice.

RME's Fireface 800 brings together all of the company's expertise in developing audio hardware for computers, mic preamps and converters into one highly desirable unit. But can you really fit so much functionality into one interface without cutting corners?

RME's latest PCI soundcard is their first to support 192kHz sample rates, and offers a different balance of features compared with their existing Hammerfall cards.

RME's DIGI range of soundcards offers comprehensive cross-platform support, high audio quality and lots of extras, such as digital format conversion.