The Zen Q completes Antelope Audio’s impressive trio of desktop interfaces.
Apogee introduce their own take on the DSP‑powered audio interface.
With 32‑bit recording, multiple mic inputs and a smartphone‑style touchscreen interface, Tascam’s top‑of‑the‑range recorder is brimming with potential.
Apogee’s long‑serving desktop audio interface gets a thorough makeover.
PreSonus’s Revelator io24 is packed with useful features for podcasters, streamers and even common‑or‑garden recording musicians.
With the SiX, SSL shrank the large-format console. Now it’s grown again!
Do Arturia’s MiniFuses go off with a bang or fizzle out with a whimper?
It may be super-compact, but the MX5 punches well above its price tag. What’s not to like?
Universal Audio target newcomers to recording with a range of affordable USB interfaces.
Necessity may be the mother of invention, but a switch to Cirrus Logic converters has also significantly improved Focusrite's Clarett+ audio interfaces...
The UCX II packs 25 years’ interface design experience into half a rack space.
SPL combine their acclaimed headphone amps with monitor control facilities and USB audio interfacing.
Antelope condense their considerable know‑how into an affordable, bus‑powered interface.
RME’s PCIe audio interface card gets a major overhaul.
The new Music Mission transforms Merging’s desktop device into a powerful recording mixer and Ethernet audio interface.
Audient’s budget‑friendly interfaces get a welcome update and a new look.
With their debut audio interface, Black Lion Audio say they’re putting quality first.
Can you really buy a useful audio interface for £39$49?
RME deliver affordable and reliable Audio over IP with two new boxes.
The spearhead of Focusrite Pro’s Red range enjoys some light refreshment.
Could this be the perfect portable package for podcasters and musicians alike?
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