Audio Interfaces

With the fourth generation of their Scarlett range, Focusrite continue to bring features that were once exclusively ‘professional’ to everyone.

With a built‑in analogue compressor, Apogee’s Jam X is designed to get your guitar sound right from the start.

A&H’s newest live sound consoles combine powerful processing with user‑friendly features.

Many manufacturers now offer dedicated products tailored for the distinctive workflows involved in podcasting and live streaming.

Neumann have joined forces with Merging to create an interface that’s both excellent and accessible.

Your computer sees the AG08 as four separate USB audio interfaces, so it can be addressed by multiple apps at the same time...

With their clever audio networking technology, Elk Audio aim to make low‑latency, long‑distance collaboration a reality.

The third generation of Ableton’s Push adds audio and MIDI interfacing and the option to go computer‑free with battery‑powered standalone operation.

IK Multimedia’s mini Axe has everything you need for recording solo guitar.

Originally developed for a German broadcaster, the Digiface AES is now available to everyone.

Lewitt dare to be different with their first foray into the world of audio interfaces.

IK’s new iRig model offers a lot of features for your money.

Zoom’s AMS interfaces are small, simple, and extremely tough.

Audient’s iD44 was pretty good to start with... and now it’s even better.

Want to use a real Big Muff Pi in your DAW session? With this one, you can just plug and go...

The SSL 12 is a cleverly conceived interface with a very attractive price tag.

The MBox is back and it’s much better and certainly much bigger than it was before.

We get hands‑on with Zoom’s new dedicated podcast recorder.

Don’t be deceived by the F3’s diminutive form — there’s a seriously useful recording device lurking in this box!

UA’s Volt range welcomes two additional members, including a new flagship.

Apogee hope to make an impact with their new entry‑level interface.