With their debut audio interface, Black Lion Audio say they’re putting quality first.
Can you really buy a useful audio interface for £39$49?
RME deliver affordable and reliable Audio over IP with two new boxes.
The spearhead of Focusrite Pro’s Red range enjoys some light refreshment.
Could this be the perfect portable package for podcasters and musicians alike?
Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.
Pro Tools | Carbon might be the biggest news from the world of music technology this year. But how does Avid's "hybrid audio interface" work?
Tascam have done far more than shrink the Model 24.
Are Audient’s minimalist EVOs smarter than the average audio interface?
Antelope Audio have turbo‑charged the desktop interface with their Synergy Core processing engine.
We take an exclusive first look at Prism Sound’s new flagship converter/audio interface.
The Apollo Solo gives you UA quality in a bus‑powered box.
Arturia's audio interfaces just keep getting better.
The newest addition to the Quantum range offers a plethora of I/O and excellent latency performance for a very reasonable price.
Made specifically for use with electric guitars, Teleport has been designed with an appropriate sensitivity and high input impedance.
Rode's one-stop podcasting shop continues to evolve.
Steinberg's UR range is a proven studio stalwart. We take a look at the newest addition to the family.
Befaco's Instrument Interface is a one-stop solution for bringing your voice, guitar or line-level audio source into your modular system.
Merging's desktop network interface is endowed with vast monitor-control powers.
RME's distinguished do-it-all desktop interface just got even better.
If you've ever dreamed of having an SSL in your studio, that dream just became surprisingly achievable...
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