Audio Interfaces

IK’s new interface is designed to go anywhere and record anything.

Focusrite’s Vocaster Two puts everything you need to podcast in one very well designed box.

The 88M packs the sound of a Neve console preamp into a compact audio interface.

The EVO 16 targets newcomers to recording, but offers some surprisingly professional features.

The original podcast production station has grown up — and it’s not just for podcasters!

AudioBox Go from PreSonus proffers pocket‑sized portability.

There are many high‑end converters that boast excellent specifications — but this one sounds good too!

Can the Mixcast 4 offer podcast producers something its rivals can’t?

The Zen Q completes Antelope Audio’s impressive trio of desktop interfaces.

Apogee introduce their own take on the DSP‑powered audio interface.

With 32‑bit recording, multiple mic inputs and a smartphone‑style touchscreen interface, Tascam’s top‑of‑the‑range recorder is brimming with potential.

Apogee’s long‑serving desktop audio interface gets a thorough makeover.

PreSonus’s Revelator io24 is packed with useful features for podcasters, streamers and even common‑or‑garden recording musicians.

With the SiX, SSL shrank the large-format console. Now it’s grown again!

Do Arturia’s MiniFuses go off with a bang or fizzle out with a whimper?

It may be super-compact, but the MX5 punches well above its price tag. What’s not to like?

Universal Audio target newcomers to recording with a range of affordable USB interfaces.

Necessity may be the mother of invention, but a switch to Cirrus Logic converters has also significantly improved Focusrite's Clarett+ audio interfaces...

The UCX II packs 25 years’ interface design experience into half a rack space.

SPL combine their acclaimed headphone amps with monitor control facilities and USB audio interfacing.

Antelope condense their considerable know‑how into an affordable, bus‑powered interface.