RME’s PCIe audio interface card gets a major overhaul.
Antelope condense their considerable know‑how into an affordable, bus‑powered interface.
We speak to Avid CEO Jeff Rosica about how the company have successfully navigated the pandemic and what the future holds....
Audient’s budget‑friendly interfaces get a welcome update and a new look.
The new Music Mission transforms Merging’s desktop device into a powerful recording mixer and Ethernet audio interface.
Can you really buy a useful audio interface for £39$49?
With their debut audio interface, Black Lion Audio say they’re putting quality first.
RME deliver affordable and reliable Audio over IP with two new boxes.
The spearhead of Focusrite Pro’s Red range enjoys some light refreshment.
Could this be the perfect portable package for podcasters and musicians alike?
Tascam have done far more than shrink the Model 24.
Are Audient’s minimalist EVOs smarter than the average audio interface?
Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.
Pro Tools | Carbon might be the biggest news from the world of music technology this year. But how does Avid's "hybrid audio interface" work?
We take an exclusive first look at Prism Sound’s new flagship converter/audio interface.
The Apollo Solo gives you UA quality in a bus‑powered box.
Antelope Audio have turbo‑charged the desktop interface with their Synergy Core processing engine.
The newest addition to the Quantum range offers a plethora of I/O and excellent latency performance for a very reasonable price.
Why is Sound On Sound publishing a major article about choosing an audio interface? Many reasons...
Arturia's audio interfaces just keep getting better.
Made specifically for use with electric guitars, Teleport has been designed with an appropriate sensitivity and high input impedance.
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