Audio Interfaces

Neve’s latest 1073 variant bridges the gap between microphone and computer.

Have RME made the perfect USB audio interface?

Arturia have designed the AudioFuse 16Rig specifically to cater for electronic musicians. What does it offer that other interfaces don’t?

There are many high‑end converters that boast excellent specifications — but this one sounds good too!

The spearhead of Focusrite Pro’s Red range enjoys some light refreshment.

Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.

Pro Tools | Carbon might be the biggest news from the world of music technology this year. But how does Avid's "hybrid audio interface" work?

The newest addition to the Quantum range offers a plethora of I/O and excellent latency performance for a very reasonable price.

Steinberg's UR range is a proven studio stalwart. We take a look at the newest addition to the family.

Arturia's new audio interface is well designed, simple to use and enticingly priced.

Antelope Audio are all about high-end quality at a lower price. Does the third generation of their Orion 32+ deliver the goods?

The latest generation of Focusrite's extensive Scarlett range offers something for every budget.

Steinberg have made interfaces before — but none so ambitious as the AXR4. Can it hold its own against the competition?

Radial's newest problem-solver could prove indispensible to gigging keyboardists.

Can this robust 1U rackmount recorder and audio interface — which features 24 onboard mic preamps — be all things to all engineers?

Newcomers Cymatic look set to revolutionise the world of live recording and playback with this remarkably affordable new device.

When it comes to recording a live show, most recording rigs are either bulky or expensive — or both. The ICE 16, on the other hand, is neither...

Prism Sound's Orpheus interface brings the company's high­end digital conversion technology within reach of the project studio owner for the first time.

What does it take to make a Firewire audio interface stand out from the crowd these days? How about eight mic preamps, 26 channels of I/O at 24-bit/96kHz and some heavy-duty routing functionality...