Audio Interfaces

MOTU's debut entry-level interfaces offer professional performance at a cut-down price.

MOTU’s 828 series has been a valuable studio workhorse for nearly two decades, and the latest is the best one yet.

The 1248 offers a lot of interface for the money, not to mention MOTU’s take on networked audio.

MOTU have brought their expertise to bear on a new desktop audio interface, the Track 16.

The new Microbook’s miniature exterior hides surprising depths of functionality.

We take an in-depth look at MOTU's most affordable Firewire audio interface yet.

With two market-leading Firewire audio interfaces already part of the MOTU stable, where does the new mobile recording-oriented Traveler find its natural home?

Three years ago, Mark Of The Unicorn were the first manufacturer to bring out a working Firewire interface. Now, they've replaced the 828 with a MkII version offering high sample-rate recording, more flexible clocking, MIDI I/O and better metering — and, what's more, they've cut the price.

MOTU's range of PCI audio interfaces is based around a single PCI card, with three different rackmounting units offering combinations of analogue and digital I/O.

Mark of the Unicorn were first to market with a multi-channel FireWire audio interface, the 828. Their new 896 adds 96kHz support among other features.

Paul White tests Mark Of The Unicorn's new FireWire-based multi-channel audio interface for Mac or PC.