While today's recording technology is far more affordable than it was when I started out, those early systems at least had the advantage of simplicity.
Some broadcasters will stop at nothing to save money, even if that means blatantly ripping off composers. So always look at the small print before you leap.
Ben Phelps * Sean Taylor * Deerstone Country * We Know Mason * Third Light * The Quays * A Torn Mind * Metamorphic * Empire State * The Constabulary
Session players add enormously to music of all kinds. But are we paying them enough to make it worth their while?
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