When a musician takes an interest in home recording, or makes the transition from old-school recording hardware to the wonderful world of computers, the question we hear most frequently relates to the choice of DAW software.
As media composers, we should be able to turn our hands to anything... shouldn’t we?
If the LP finally dies, what will become of the studio?
Why do musicians see value in the music they write but not the software they use to write it?
This month: Snarky Puppy • Zedd & Alessia Cara • Royal Blood • Kendrick Lamar • Kyle • Classic Mix: Fleetwood Mac ‘Dreams’ (1977).
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