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    Notes From The Deadline

    TV Music From The Inside

    How to get ahead in the business? Honour thy deadlines, have no other gods before work, and dont commit murder unless theres a particularly juicy commission at stake.

    Music Business Jun 2010
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    Playback

    Readers’ Music Reviewed

    Find out how to use our SoundCloud.com account to submit your review tracks to SOS.

    People Jun 2010
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    Paul White - Editor In Chief

    Video Media

    Leader

    Editor-in-Chief Paul White explains why this MAY 2010 edition kicks off our brand new monthly VIDEO MEDIA section of SOS magazine. We've expanded the mag in size and added 16 pages of Video articles, all aimed at the recording musician wanting to delve into video-related work.

    People May 2010
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    Sounding Off: Education, Education, Education

    Matt Houghton

    Education, education, education...

    People May 2010
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    Notes From The Deadline

    TV Music From The Inside

    Its wonderful to be able to give something back to young people who are eager to learn about life in the studio. If only they were better prepared to receive it.

    Music Business May 2010
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    Readers’ Music Reviewed

    The Hotlines

    The Hotlines

    I can't stop thinking I'm listening to Green Day. Green Day if...

    People May 2010
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    Paul White - Editor In Chief

    Music: A Human Right?

    Leader

    I tend to avoid politics where possible, as I generally consider that the only qualification a politician needs is the ability...

    People Apr 2010
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    Sounding Off

    J G Harding

    Its nigh-on impossible to make a profit from music these days, so why do we still do it?

    People Apr 2010
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    Notes From The Deadline: Using Sample Libraries

    TV Music From The Inside

    Sample libraries are the modern media composers most important asset — so its a shame that using them in real-world projects can land you in legal hot water.

    Music Business Apr 2010
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    Playback

    Readers’ Music Reviewed

    Is yours one of this month's tracks to be scrutinised by the editorial team? Click and find out...

    People Apr 2010
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    Paul White - Editor In Chief

    Outside The Box

    Leader

    I'm writing this shortly after returning to work after the Christmas holidays and I'm currently cut off from the outside world...

    People Mar 2010
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    Notes From The Deadline

    TV Music From The Inside

    So you want to be a media composer? Paul Farrer reminds us that its not about the music you love, its about whats right for the show.

    Music Business Mar 2010
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    Playback

    Readers' Music Reviewed

    In A Forest Without Trees

    Goonies Never Say Die

    If the defining characteristics...

    People . Mar 2010
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    Playback

    Readers’ Music Reviewed

    In A Forest Without Trees

    Goonies Never Say Die

    If the defining characteristics of 'post‑...

    People Mar 2010
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    Sounding Off: Think One Step Ahead

    Rob Toulson

    Mixing can be simple, you just have to think one step ahead...

    People Mar 2010
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    Paul White - Editor In Chief

    Small Miracles

    Leader

    Editor-in-Chief Paul White ponders where 2010's new tools will lead us...

    People Feb 2010
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    Notes From The Deadline

    TV Music From The Inside

    It doesnt do to get too precious about audio quality. In fact, sometimes a bit of lossy compression might be just what your music needs.

    Music Business Feb 2010
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    Playback

    Readers’ Music Reviewed

    Lost In Sound

    Atila Neves

    Atila Neves has a PhD in particle physics, and would thus seem...

    People Feb 2010
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    Sounding Off

    Adrian Keefe

    Music technology forums: the case against.

    People Feb 2010
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    Paul White - Editor In Chief

    Upgrade Yourself

    Leader

    If the postal system hasn't completely melted down by the time you read this, you should still be looking forward to Christmas...

    People Jan 2010
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    Notes From The Deadline

    TV Music From The Inside

    No-one likes having their work criticised, especially when the criticism is baffling, surreal and second-hand. But thats the lot of todays composer for the media.

    Music Business Jan 2010

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