Comment / Opinion

Almost everything about being a composer of music for television is a gamble, except getting paid. Thats two gambles.

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With the FM radio frequencies under threat from the UK government's planned sell-off, is DAB coverage and quality really good enough to replace it?

In this screen-driven world, it's easy to forget that we have ears with which to make quality judgements...

Pitching for work is frustrating, time-consuming and, unless youre very lucky, unpaid. But at least the best demo (usually) wins.

More readers' tracks get the Juke Box Jury treatment from the SOS crew. Sponsored by breed-media.co.uk

Will the recession have music going for a song?

Paul White proffers more thought-engaging words.

Theres learning, and theres education. And when it comes to music technology, the two arent always connected, believes Paul Farrer.

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The end of the iPod era?

Sage words from SOS Editor-In-Chief Paul White.

Only in the perverse world of music for the media could composers be asked to rip themselves off for money. Its time to take a stand against the rise of the 'soundalike'.

The editorial team audition another crop of your submitted tracks.Sponsored by breed-media.co.uk

Should a problematic dongle be allowed to cause such grief in this day and age?

Editor-In-Chief Paul White likes dreaming up April Fool's blue-sky products, but with the unveiling of MOTU's Volta and Microsoft's Songsmith, fact is indeed becoming stranger than fiction!

Your showreel can say a lot about you. And if its going to get you work, what it needs to say is: trust me.

The editorial team audition another crop of your submitted tracks.

What can we do to save ourselves from the misery and bathos of 21st century culture? Simple: hide in the past.

Paul White shares his personal views.

You thought your music was just right to start with, so why are people telling you to change it? Because theyre paying you — and because they might actually have a point...