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I'm writing this column in February, and here in the UK, half the country seems to be flooded — so terms like 'SOS' and 'Rescue' have taken on a far more serious connotation.
If you've read up on what was shown at NAMM earlier this year, you might wonder where there is for the industry to go next.
This month's tracks from Miley Cyrus, One Republic, Black Sabbath and our Classic Mix - ZZ Top "Gimme All Your Lovin'' from 1983.
This month we review to music from Young Peculiar, The Situation, Vincent Pierce Smith & Karttikeya, Mark Barnwell and Christian Gregory.
SOS reader Paul Wavell discribes his journey through the history of Apple computers from the Lisa to iPad.
This month we comment on releases from Testing Tomorrow, Clemistry & Audnoyz and Emiliano Cannavò.
The creative process is about serendipity, spontaneity, accident and chance. It’s about defying convention, standards and the dreaded ‘best practice’.
I'm writing this column in January just before setting off for the NAMM show in California, which is perhaps the highlight of...
This month tracks from Jason Derulo, Martin Garrix, Eminem and our Classic Mix: The Beatles' Yesterday from 1965.
Ask pretty much any musician planning to make a record what mastering is all about and they'll probably include 'making it sound loud' as one of the more important mastering tasks.
This month we comment on releases from Seth Lakeman and The Cuckoo Clocks
Management speak is taking over the world.
This month we analyse hits from Storm Queen, The Reflektors and Lorde plus our classic mix 'Roxanne' by the The Police.
The Mix Review in Sound On Sound This month we analyse hits from Biffy Clyro, Armin Van Buuren and Duke Dumont, and take a look back at a classic mix, Sinead O’Connor’s version of “Nothing Compares 2 U”, from 1990.
I'm going to let you into a secret that could put our entire industry out of business — but trust me, that won't happen...
Joe Matera, Obsidian Kingdom, The Flickers.
Have cheap delivery formats destroyed music's value?
Back in the era of analogue tape and non-automated analogue mixers, you could walk into any studio and — other than perhaps trying to figure out the patchbay — start recording and mixing.
Do Bakelite knobs have a place in the virtual world?
This month we analyse Bing Crosby's 1947 Christmas classic "White Christmas” as well as a number of contemporary commercial hit record productions.
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