Only in the perverse world of music for the media could composers be asked to rip themselves off for money. Its time to take a stand against the rise of the 'soundalike'.
You thought your music was just right to start with, so why are people telling you to change it? Because theyre paying you — and because they might actually have a point...
When it comes to pitching music to TV executives, there are only two golden rules. The first is to meet the brief, however sketchy it might be. The second? Never, ever try to be cool.
Get a few commissions under your belt and you might start to think you're a big name in the world of music for the media. But as far as the people who make television are concerned, there's no such thing...
Renowned TV composer Paul Farrer begins a new series of despatches from the front line by asking: what sort of person do you have to be to succeed in the cut-throat world of music for the media?
This month sees the return of iconoclastic composer, DJ and music industry commentator Big George to the pages of Sound On Sound — and you thought we'd sacked him for good...
The music world is going soft — but the economics of software production run up hard against the inadequacies of software protection. Cutting Edge speculates on a possible solution.