Paul White and Hugh Robjohns pick their software and hardware highlights from the last 12 months.
When Catherine Marks asked me to be a part of this special issue of SOS, I was honoured to be included among this awesome community of women.
Up‑and‑coming engineers and producers deserve protection from exploitation, discrimination and sexual harassment.
It is with deep sadness that we announce the passing of our longtime colleague, good friend, and Sound On Sound North America Sales Manager, Paul DaCruz.
The MIDI protocol celebrates its 40th birthday this year, with SOS as official media partners for this year's MIDI Innovation Awards.
Many of us dream of setting up a recording studio. But where do you start — and what’s it really like to run one as a commercial business today?
Paul White and Hugh Robjohns pick their hardware and software highlights from the last 12 months, plus feature some late arrivals.
What can audio equipment manufacturers do to minimise their impact on the environment? We look for answers in the forests of Finland.
A Grammy‑winning engineer shares his secrets.
The legendary recording engineer has died, aged 86.
The designers behind some of today's most innovative studio microphones tell us what we can expect from the mics of tomorrow.
Many still bemoan the demise of the large commercial studio — but what if music itself was to blame?
Does the concept of ownership mean anything in the software studio?
AI is yet to find its place in music production — but it’s only a matter of time...
Gender equality in music production still has a way to go.
Tax breaks offer some hope for our ailing industry.
Are album credits finally coming to streaming services?
The field of game audio is in the process of levelling up...
If the LP finally dies, what will become of the studio?
“And now abideth faith, hope, charity, these three; but the greatest of these is charity.” — Corinthians 13:13
What’s in a name? A lot — if you play your cards right.
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