Computer / Software

Is Apple’s Mac Studio the perfect computer for the studio?

Veteran software Mellotron specialists GForce have recreated the sounds of the earliest models with startling accuracy.

Sampleson’s modelled Wurlitzer ticks all the right electric piano boxes.

Sample Logic deliver a flexible pad, soundscape and atmosphere designer with a powerful DIY twist.

Hans Zimmer’s drum collection doesn’t disappoint.

Intel’s latest CPUs promise big performance gains. But can they topple AMD in our audio benchmarks?

The latest version of Krotos’ Concept adds granular synthesis and an impressive modulation engine.

Martinic take Akai’s long‑neglected AX73 ball and run with it.

Want to get started with scoring? Don’t worry, today’s super‑intelligent sample libraries have got your back.

Rating: ***** 5/5 Stars. Built from detailed sampling of chromatically tuned metal discs, Alloy Vol I's tones are reminiscent of chromatic orchestral percussion, hang drums, steel drums and tubular bells...

Korg add more instruments to their growing stable of software classics.

The WaveLab department at Steinberg have been very busy indeed...

Imagine uses physical modelling to let you create any acoustic instrument you can, er, imagine.

Apple’s most powerful laptop computer ever has been explicitly designed with music in mind.

Groovesetter’s developers claim that it offers low‑latency, multitrack collaboration between multiple people in different locations. Does it live up to its promise?

Cherry Audio recreate Moog’s classic polysynth at a fraction of a fraction of the price of an original.

iZotope’s popular audio restoration tool has been treated to some significant improvements.

Session Recall is a boon for those who still mix out of the box using a plethora of non‑recallable analogue equipment.

With both desktop and mobile versions, and a tiered pricing model, there’s a Bias FX 2 version to suit any budget.

Steinberg are on a mission with SpectraLayers. So, what’s new with Pro 8?

Not everyone can play keys or guitar, so how about contolling virtual instruments with nothing but your voice?