Microsoft's latest operating system, although primarily designed for business and network systems, seems to offer many features that are attractive to musicians, including greater stability and support for dual-processor machines. But is there enough software support to make upgrading worthwhile? Martin Walker investigates.
Paul Wiffen concludes his investigation into reliable means of audio interfacing on new-style Macintoshes when the traditional PCI card route is not available to you. This month, he tests two more USB audio-only interfaces, and reaches some definitive conclusins about Tascam's US428 MIDI and audio interface.
Many of you were caught out by our 1995 April Fool preview of a fictitious piece of software that could modify the musical style of a MIDI file to create specific emotions in the listener. Now, however, it seems that fact may have caught up with fiction. Martin Walker tries out Ntonyx's innovative Style Morpher.
Dave Shapton explores part of the MPTEG4 specification: Structured Audio, which allows music to be streamed with absolotely no loss of quality at extremely low data-rates. Is this the way that all media will be encoded in the future?
Martin Walker explains how to clear out all the drivers, utilities and Registry entries associated with an old, discussed soundcard, leaving you with a clean machine in which to install your new, upgraded hardware.
The idea of a virtually silent, compact and portable PC recording workstation has obvious attractions, and it is possible to build such a system around a laptop PC. Martin Walker explains the options available and how to avoid some of the many potential pitfalls.
Having explained some of the audio and MIDI interfacing problems facing owners of new-style Macs, Paul Wiffen looks at practicalities, testing one USB MIDI and one USB MIDI + Audio interface to see what pitfalls await the unwary...
The spread of the ADAT 8-channel optical digital interface to studio equipment of all kinds has raised the prospect of a revolution in multitrack digital recording. Self-confessed digital evangelist (amd Korg UK product specialist) Paul Wiffen explains how the optical digital interface and several fibreglass cables made keyboard session player Wix Wickens' life easier at last year's prestigious Songs and Visions concert at Wembley.
If you want to recreate the sound of a particular hall or studio live room, why not capture its essence and then use this to treat your music? Sonic Foundry's new software makes it all possible. Martin Walker samples the results.
The latest version of this popular audio sequencer sees Emagic's answer to competitor Steinberg's VST built-in effects. But there's rather more to this significant upgrade than that, as Paul White reports.
If you thought the MMX processor was still the last word in new technology, prepare to boldly go where your PC has never gone before. Martin Walker looks at the many new families of PC chips, and explains their relevance to the musician.