The totally software studio, with sound quality at least as good as that offered by studio hardware, is now more feasible than ever before. But what are the factors to consider if you're going to go completely 'soft'?
With advantages such as more efficient processing and the ability to address up to a Terabyte of RAM, Windows XP Professional x64 has a lot to offer PC-based musicians — in theory. We put the fully 64-bit system idea to the test.
If you're thinking about a new PC, do you need to make sure it's ready for the forthcoming Windows XP replacement: Vista? We examine the relevant issues for the musician.
Can Harbal's new automatic track EQ solve your equalisation problems with one click? We find out, as well as exploring the mysteries of the Windows Driver Model...
Whether you're running a single PC in your bedroom or a bank of them in a professional studio, sometimes a tiny freeware or shareware utility can make the difference between frustration and elation. We round up some of the best and point you to places where you can find more.
Does defragmenting your hard drives, including the ones you use for recording audio, really result in better PC performance? Opinion is divided, so we take a considered look at the subject, as well as testing some of the most suitable 'defragger' utilities.
Although intended as an entry-level application to introduce new people to computer-based music making, Apple's GarageBand has received acclaim from beginners and professionals alike. We look at version 2, which adds score editing, multitrack audio recording, and more...
We've discussed Logic's distributed audio processing in past Apple Notes columns, but this month we offer some tips on setting up Logic Node to run on a network of headless Macs, along with some advice on Firewire-based networking.
If you are tempted to go and make a cup of tea in the gap between pressing a note on your keyboard and hearing it play on your soft synth, you need help! Read on...
Mac OS 10.3 (Panther) has been with us a few months, and has been dissected and evaluated to destruction in the mainstream computer press — but just how useful are its new features for Mac-based musicians and engineers?
Why does software always crash irrecoverably when you are at your busiest? And why are technical support lines unable to help you when you need them most? We offer some advice on how to avoid phoning them in the first place...
The launch of Mac OS 10.4, codenamed Tiger, is just around the corner, but in the meantime there's the 1.1 update of GarageBand to be going on with. We reveal the improvements, as well as investigate MIDI configuration problems in OS X.
The Harbal EQ-matching program benefits from some worthwhile tweaks. We report them, and discuss some new information about Longhorn: the next incarnation of the Windows OS.
Thanks to the Internet and the generosity of talented programmers all over the world, it's possible to assemble a PC music software suite for no money at all. We round up some of the best download sites and freebie programs.
The music world is going soft — but the economics of software production run up hard against the inadequacies of software protection. Cutting Edge speculates on a possible solution.
If you are relatively new to PC music, it can seem like a maze of acronyms and mystifying computer-related terms — so here's a useful glossary to clear up any confusion.
Steinberg have made available the results from a set of uniform Cubase SX tests that pitted different computers against each other — but what does it all mean for your choice of processor?
As Apple's recent Panther operating system upgrade is adopted by the Mac community, the usual problems that accompany such a major change begin to surface. We take a closer look at the issues worth considering before making the jump to Panther, and report on Apple's new iBook G4.