MIDI Controllers

Edirol's latest desktop music product is a controller keyboard that can also be used to control your sequencer's on-screen mixer.

The latest in Roland's line of MC-series workstations is their best (and most expensive) yet, incorporating synthesis, sequencing, real-time control, and sampling. But in an increasingly software-driven world, can a Groovebox still cut it?

Kenton's latest take on their affordable hardware control surface concept eschews the faders of previous Control Freaks in favour of 16 knobs. And it manages to be cheaper than the fader versions...

Akai's MPC sampling workstations have been a studio fixture for nearly 15 years, and the MPC4000 is the most powerful one yet. But the world of sampling has changed dramatically since the MPC2000XL was released. Can an MPC still cut it in the 21st century?

For applications where space or portability are at a premium, it is hard to beat this compact, two-octave MIDI master keyboard, which also incorporates eight assignable real-time MIDI controllers.

The SPD6 MIDI percussion pad features 113 internal drum sounds, with six rubber playing pads and can run from an optional power adaptor or from batteries.

Miditech's new 49-key take on the simple MIDI keyboard controller adds a panel of assignable knobs for even more control potential - and all for well under £200.

The Soundbeam's ability to translate physical movements into MIDI messages, in a sophisticated and customisable way, makes it unique among alternative MIDI control systems.

The new C16 offers 16 MIDI-assignable control faders for the thoroughly reasonable price of £150. Derek Johnson and Debbie Poyser love that feeling of control...

Roland's new guitar synth is their most affordable yet, but could it also be the best?

Paul Nagle tries out the update to this inexpensive controller for MIDI devices.

One drawback of soundcards and soft synths is their lack of physical controllers, but Doepfer aim to bridge the gap with their diminutive PocketC. Paul Ward tries his hand...

MIDI can be a creative tool as well as a functional one, and Kurzweil's new stand-alone ribbon controller is designed to help you exploit its artistic possibilites. Derek Johnson & Debbie Poyser open up a new world of expression.

Guitarists who use sequencers have been waiting many years for the perfect MIDI guitar. John Walden tries the Parker MIDIFly to see if the wait is over.

Want to get serious about your music? A quality master controller keyboard is a good place to start. Paul Ward looks at two machines that offer a little more than most.

There are now quite a few MIDI Control surfaces on the market, yet the knob-laden Drehbank, which offers interesting possibilities for interconnection between vintage CV synths and modern MIDI gear, is sure to excite much interest. Paul Nagle turns on and tunes in.

Fancy having 24 assignable faders and 72 buttons to control your MIDI gear? How about an eight-track MIDI step sequencer with CV and gate outputs too? Paul Nagle explores a product that gives you both.

MIDI guitars have been around for years, but systems catering to bassists are far less common. Derek Johnson sets his sequencer's controls for the heart of the bass...

Derek Johnson & Debbie Poyser take a look at a new programmable control surface which allows you to set up a physical controller for almost any aspect of a MIDI device.

Paul White takes a turn on a hardware controller box which allows knobularly-challenged GS and XG synths and soundcards to join the rotary club.

Paul White, with a little help from Rachel Fletcher and Paul Farrer, gives a blow-by-blow account of a controller that allows MIDI modules to harness the power of wind.