Korg's Legacy Collection recreates some of their best-loved keyboards in software form. It wasn't finished as we went to press at the end of March, but we managed to grab this sneak preview as the final touches were being applied... (Full in-depth hands-on Review next month.)
MIDI controller keyboards were a minority interest a few years ago, but as more studio duties have been taken on by computers, the popularity of controllers has soared. Korg's Microkontrol adds some new tricks to the well-established concept...
Firewire Interface, Digital Mixer & Control Surface
Yamaha's 01X is a digital mixer, hardware controller, audio and MIDI interface that promises an unprecedented level of integration with PC/Mac computer-based DAWs. But can this one silver box really do it all?
The budget MIDI controller market is pretty crowded these days, but Evolution are giving you the most for your money with the UC33, eschewing expensive rotary encoders and large displays for affordable non-moving faders and wipe-clean overlays.
The concept of the portable laptop-based studio is enticing, but you still need a musical input device — hence the current popularity of compact MIDI keyboards. And although it's not the cheapest, Novation's Remote 25 has much to offer...
Moving-fader controllers for computer-based studios are big news at present, and Radikal's SAC 2.2 can be used with a wide range of software sequencers and instruments. Jack of all trades, or master of none? We find out...
The latest in Roland's line of MC-series workstations is their best (and most expensive) yet, incorporating synthesis, sequencing, real-time control, and sampling. But in an increasingly software-driven world, can a Groovebox still cut it?
Akai's MPC sampling workstations have been a studio fixture for nearly 15 years, and the MPC4000 is the most powerful one yet. But the world of sampling has changed dramatically since the MPC2000XL was released. Can an MPC still cut it in the 21st century?
If you're tired of mixing on-screen using just your mouse and keyboard, then it's worth considering a hardware MIDI controller. But with so many different models available, how do you choose the one that's right for you?
Fancy having 24 assignable faders and 72 buttons to control your MIDI gear? How about an eight-track MIDI step sequencer with CV and gate outputs too? Paul Nagle explores a product that gives you both.