The FW1884 is more than just a well-specified Firewire audio and MIDI interface: it also offers detailed control over almost every MIDI + Audio sequencer thanks to its motorised faders, rotary controls, transport buttons and more.
The concept of the portable laptop-based studio is enticing, but you still need a musical input device — hence the current popularity of compact MIDI keyboards. And although it's not the cheapest, Novation's Remote 25 has much to offer...
Moving-fader controllers for computer-based studios are big news at present, and Radikal's SAC 2.2 can be used with a wide range of software sequencers and instruments. Jack of all trades, or master of none? We find out...
We are used to the idea of using fader boxes and other MIDI controllers to manipulate our music software, but now Serato want to get us using our turntables to scratch digital audio. Can it possibly work?
The latest in Roland's line of MC-series workstations is their best (and most expensive) yet, incorporating synthesis, sequencing, real-time control, and sampling. But in an increasingly software-driven world, can a Groovebox still cut it?
Akai's MPC sampling workstations have been a studio fixture for nearly 15 years, and the MPC4000 is the most powerful one yet. But the world of sampling has changed dramatically since the MPC2000XL was released. Can an MPC still cut it in the 21st century?
Fancy having 24 assignable faders and 72 buttons to control your MIDI gear? How about an eight-track MIDI step sequencer with CV and gate outputs too? Paul Nagle explores a product that gives you both.