Converters / Clocks

Building on Prism's high‑end converter range, the ADA‑128 caters for those working with high channel counts and multiple signal types.

Twenty years on, the Octopre concept remains as strong as ever.

There are many high‑end converters that boast excellent specifications — but this one sounds good too!

With selectable analogue drive paths and a fast limiter, this box is designed to add controllable vibe and colour as you capture your analogue mix.

After decades of development, there are now countless digital audio formats — can this black box allow them all to talk to one other?

Antelope Audio are all about high-end quality at a lower price. Does the third generation of their Orion 32+ deliver the goods?

With ADAT, MADI and Dante connectivity on board, this affordable converter can add 16 channels of analogue I/O to almost any setup.

Technology has moved on in the 10 years since the original D Box was released — but the concept seems stronger than ever.

What’s better, a DAW or real analogue tape? Both, of course! We take a look at an ingenious system that seamlessly integrates the two.

Even the most die-hard analogue synth enthusiast must recognise the advantages to be gained by integrating their voltage-controlled gear into a MIDI environment.

The AD8000 is a high performance 8-channel, 24-bit A-D converter which can cope with an array of different digital audio formats, either in its basic form or with the addition of one of several optional cards.

MIDI guitar has a long and chequered history, litered with great expectations and expensive failures. Dave Lockwood investigates the latest contender to see if it really is able to bring something genuinely new to the field.

Ian Gilby takes control of the Bokse US-8 Universal Syncronizer.