Will I lose signal quality using a poor quality ADAT cable?
Twenty years on, the Octopre concept remains as strong as ever.
There are many high‑end converters that boast excellent specifications — but this one sounds good too!
With selectable analogue drive paths and a fast limiter, this box is designed to add controllable vibe and colour as you capture your analogue mix.
We take an exclusive first look at Prism Sound’s new flagship converter/audio interface.
After decades of development, there are now countless digital audio formats — can this black box allow them all to talk to one other?
Antelope Audio are all about high-end quality at a lower price. Does the third generation of their Orion 32+ deliver the goods?
With ADAT, MADI and Dante connectivity on board, this affordable converter can add 16 channels of analogue I/O to almost any setup.
Technology has moved on in the 10 years since the original D Box was released — but the concept seems stronger than ever.
This D-A converter boasts a range of useful features — as well as impressive performance.
This device packs 32 channels of bidirectional analogue-to-Dante conversion in a 1U rackmounting box...
Find out how Mytek’s latest reference-level converter stacks up against the competition.
There aren’t many modules that will deliver endless rhythmic variations, randomised ambient pings and subtle timing shifts alongside more familiar roles such as clock division and logic. The Event Boss will...
Though aimed squarely at the serious hi-fi market, this class-leading converter has plenty to offer in the studio.
With eight channels of mastering-grade D-A conversion, this device packs a big sound into a 1U box.
Fifteen years after releasing their first D-A converter, Dangerous have brought out their first A-D. Was it worth the wait?
Dave Hill’s uncompromising converter design focuses on making clock jitter as low as possible, with impressive results.
What’s new in Focusrite’s updated multi-channel mic preamp?
This modest-looking box is among the best-performing two-way converters available, and boasts a huge array of thoughtful features.
With a whopping 32 analogue inputs and outputs, there’s more to this stand-alone converter than meets the eye.
My own setup is an Audient ASP880 preamp connected via ADAT to an Avid HD Omni working with Pro Tools 12.4 HD Native. Is it better to set the Audient as master for recording (and the Omni as slave)?
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