Not only can Reason's Thor synth be used as an effects unit for other signals, it can also act as a hub for combining instruments and devices into true modular synth structures.
If you want the impact of heavily compressed drums but dont want to sacrifice your dynamics, parallel compression is the way to go. This month we explore the best ways to achieve this effect in Reason.
Side-chain compression can be the difference between a flat, lifeless mix and an adrenalised floor-filler. Learn how to capture the French house sound, and add an extra little twist.
Following last month's introduction to the Thor synthesizer, we embark on a patch-building project and explore several of the key features of Reason 4's new synth...
There's a lot to get to grips with in the latest version of Reason — but we begin by looking at the basics of the giant new semi-modular synthesizer, Thor.
Mixer automation lets you create more dynamic mixes, but also provides a fast alternative to arranging all your tracks in the sequencer. We offer a simple guide to making the most of it.
The grey Spider devices look mild-mannered and unassuming — but they have super-powers that can unlock the hidden reserves of Reason's sound-making devices, as well as solving a host of more mundane problems.
Last month we looked at some basic applications of the Redrum module in Reason drum programming. Now it's time to move on to more sophisticated techniques for your rhythm parts.
Reason is more than just a MIDI sequencing environment; it can also be used for creating new pieces spontaneously from sample loops. We show you how...