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Ableton Live

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    Using REX Files In Ableton Live

    Live Tips & Techniques

    Ableton Live 5 doesn't work with REX files, right? Well, technically speaking, it does not support the 'official' REX file format. But not only can you create your own REX-style slicing within Live, the 'do it yourself' stretching method we describe in this article can be surprisingly flexible.

    Techniques Apr 2006
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    Recording & Remixing In Ableton Live

    Live Tips & Techniques

    In part two of our recording and remixing article, we examine how you can use Live's unique features to prepare a recording for remixing.

    Techniques Feb 2006
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    Recording & Remixing With Ableton Live: 1

    Live Tips & Techniques

    In the first instalment of this two-part article, we examine how you can use Live as a conventional digital audio workstation.

    Techniques Jan 2006
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    Streamlining Your Ableton Live Workflow

    Live Tips & Techniques

    We begin this regular column on using Ableton Live by examining how you can increase your productivity whilst using the program as a writing tool.

    Techniques Dec 2005
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    Ableton Live 5

    Loop-based Sequencer [Windows/Mac OS X]

    Ableton Live is one of the software success stories of the last few years, with devoted users in fields as diverse as DJing, remixing, theatre sound and music production. Version 5 addresses requests from all these areas, whilst retaining the program's renowned ease of use.

    Reviews Nov 2005
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    Ableton Live 4

    Loop-based Sequencer [Mac/PC]

    As a creative, stable and above all fun way of combining audio loops in real time, Ableton's Live has proved an ideal counterpart to Rewire-compatible applications such as Cubase. With version 4 offering a wealth of new features, including MIDI sequencing, could Live now replace traditional sequencers altogether?

    Reviews Sep 2004
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    Ableton Live v1.03 main screen.

    Ableton Live

    Performance Loop Sequencing Software [Mac / PC]

    Ableton's Live allows the user to create and record musical performances by combining sampled loops in real time, with high‑quality pitch‑shifting, time‑stretching and audio effects.

    Reviews Feb 2002

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