Amongst Cubase 9’s new features is a whole new track type dedicated to quick and easy sampling.
Cubase has all the tools required to add a human feel to your programmed acoustic drum parts.
Don’t take Cubase’s dedicated MIDI Drum Editor for granted — it’s a gem!
Turn your DAW’s aux sends into wet/dry blend controls that won’t raise the overall level of your signal.
Are delays suffocating your vocal parts? Cubase has the answers!
Can you do ‘character’ compression with Cubase’s stock plug-ins? Let's find out...
Steinberg’s dedicated app can turn your iPad into a fine control surface for Cubase.
Cubase’s Channel Settings Panel lets you see what’s going on under the hood of the Mix Console.
Cubase’s Groove Agent SE4 isn’t the most intuitive drum machine, but it’s well worth getting to grips with.
With Cubase, you can implement an innovative parallel compression technique first conceived by producer Andrew Scheps.
Learn to make the most of Cubase 8.5’s Retrologue 2 synth.
Cubase 8.5 introduced Retrologue 2, a powerful virtual analogue synth, and its presets are great — but rolling your own patches can be a lot of fun.
Cubase now offers powerful control over parameter automation, including a number of useful editing options.
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Cubase’s unique Quadrafuzz v2 plug-in is useful for so much more than guitar processing...
Make mixing in Cubase Pro 8 that little bit easier with VCA Faders.
Your Cubase project is recorded, mixed and mastered... but is it secure?
Efficient management of Cubase’s Workspaces can be a great help when you need to work quickly.
Whether archiving projects, creating stems or saving CPU resources, Cubase 8’s Render In Place feature has you covered.
Cubase Pro 8 gives you four different reverb plug-ins to choose from, but which one should you be using?
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