Cubase

We examine the potential of Cubase's Groove Agent One for drum replacement.

Here is a selection of audio files to accompany this month's Cubase Technique (...

Links to Audio files which accompany this month's Cubase techniques article.

More than just a pitch-correction tool, Cubase's VariAudio offers a means of extracting MIDI data from audio files.

Breathe new life into your loops with Cubase's LoopMash.

No guitar effects in Cubase? Actually, there are more options than you can count...

In VariAudio, Cubase 5 users have a sophisticated pitch-correction tool.

Download a ZIP file of the Track Presets that accompany July 2009's Cubase Notes workshop on Quick Controls automation.

With even a basic hardware MIDI controller, Quick Controls make writing automation in Cubase much more convenient.

If you want something to spice up rhythm-guitar loops to use in your funk and dance tracks, Cubase has just the Tonic

Links to audio files that accompany the SOS MAY 2009 Cubase article, for newsstand/bookstore readers who do not have eSub-access to the main web article.

Learn how to avoid frequency clashes in your mix, with our tutorial on advanced ducking techniques in Cubase.

Learn how to avoid frequency clashes in your mix, with our tutorial on advanced ducking techniques in Cubase.

We explore some of the advanced parallel compression techniques used by top mix engineer Michael Brauer — and how you can recreate them using Cubase.

We explore some of the advanced parallel compression techniques used by top mix engineer Michael Brauer — and how you can recreate them using Cubase.

The first paid-for update to Cubase for two years introduces some major innovations for sequencing and composition, including integrated Melodyne-style pitch correction and editing.

Here are the files that accompany SOS February 2009's Cubase 4 workshop on Drum Maps.

Many Cubase users also own high-quality drum virtual instruments and sample libraries that aren't mapped to the GM standard. Fortunately, you can create your own dedicated drum maps.

With Cubase 4.1, Steinberg overhauled the Sample Editor, creating a very powerful new tool for real-time pitch and time manipulation.