Having done your best to capture a high-quality recording of your vocals, how best do you go about processing them so they work in your mix?
If you want to group tracks in Cubase, Group channels aren't always the best option. We explore what you can and can't do with the Link Channels function.
Kick drums and bass instruments underpin most contemporary popular music, and it sometimes pays to tweak performances so they work better together.
Cubase's new routing options enable you to export multiple audio tracks in one go: we take you step by step through the process.
For some, the jury is still out on Steinberg's ambitious SoundFrame and MediaBay concepts, but for certain tasks they can definitely be useful — getting your loop library organised, for example...
Our recent explorations of the new software synthesizers introduced in Cubase 4 conclude with a tour around Spector...
Here are the URL links to the audio examples that accompany and enhance the July 2008 Cubase Notes article.
We dive deeper than the presets to discover what you can do with Cubase 4's most complex bundled soft synth.
Links to the Mystic Synth audio examples that accompany June 2008's Cubase Notes.
The tools for audio slicing were overhauled in Cubase 4.1. Find out how to get the best from them.
There's more to Prologue than its presets — and it doesn't take long to create some excellent and unique patches.
Crafting the perfect mix is a difficult task, but often all you need is a bit of organisation to make things quicker, easier and more rewarding.
Cubase 4.1 brings a wealth of new features: we explore what you can do with the new side-chaining function.
It's so easy to reach for the same audio plug-ins time after time - but MIDI plug-ins such as Arpache can bring something different and shouldn't be overlooked.
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