Logic

Although rather time-consuming, this technique for locking your sequencer to a live take is often the best.

Synchronising sequences in Logic to live audio tracks can really help give your music the edge, but what's the best way of doing this? We look at the options, and weigh up their pros and cons.

Have you ever coveted the real-time functions of Ableton's Live? In which case, you will be interested to know how you can simulate some aspects of Live in Logic using the Touch Tracks object?

The new version 7 of Logic is a huge upgrade which sees the program assimilated even further into Apple's product range, and adds some intriguing new instruments and networking features. Following last month's preview, here's the full lowdown...

Once you find out all the things you can do with the Marquee tool, you'll wonder how you ever lived without it, so we offer some advice on how to put it to work in your projects.

When Apple bought Emagic two years ago, the question on everyone's lips was 'What will they do with Logic?' Now they have unveiled perhaps the most radical overhaul the sequencer has ever seen, with improvements ranging from new instruments and effects to a networking system that could eliminate CPU restrictions completely. We explain what's changed in this preview (our full in-depth review will follow next month).

Learn how to combine dynamics processing with delay and reverb to breathe life into your mixes.

Layering hardware sound modules to create new sounds is a simple matter, but things are not nearly as easy when you are working with virtual instruments in Logic. Here are a few useful workarounds...

Find out how to use the I/O plug-in within an Output Audio object, and also learn how Logic's improved plug-in delay compensation allows some powerful new mixing techniques.

The Aux object might seem a little arcane, but it's the key to a variety of useful Environment workarounds.

Learn how to set up Logic's Environment so that you can jam with other musicians in real time on a single system.

Although beat-slicing is something more immediately associated with programs like Propellerhead Recycle or Bitshift Audio Phatmatik Pro, Logic also has facilities to automatically chop up your loops.

This month we continue our advice on working to picture in Logic with tips on how to work around your visual hit points.

We show you how best to set up Logic for working to picture.

This month we help you work with Logic Control, as well as offering advice on importing REX files.

We show how to create step-sequencer effects within Logic's MIDI editing windows. Plus practical tips to make your sessions more productive.

Get better snare drum sounds with these nifty processing tricks.

Is the sound of your kick drum letting the rest of your mix down? If so, find out how to snatch victory from the jaws of defeat with this bass-drum processing workshop.

Logic has a number of simple synths built in, and they're surprisingly useful if you know what you're doing, so here's some advice on getting the best out of each one. Plus there's a bumper crop of sequencing tips to make your sessions faster and more productive.

This month we offer help for those getting to grips with Logic's much misunderstood Hyper Editor, and tell you how to reduce sibilance without using a de-esser plug-in.

The Project Manager is one of Logic's most useful v6 features, and this month we show you how it can work in different ways to suit your needs.