Have you ever coveted the real-time functions of Ableton's Live? In which case, you will be interested to know how you can simulate some aspects of Live in Logic using the Touch Tracks object?
The new version 7 of Logic is a huge upgrade which sees the program assimilated even further into Apple's product range, and adds some intriguing new instruments and networking features. Following last month's preview, here's the full lowdown...
Once you find out all the things you can do with the Marquee tool, you'll wonder how you ever lived without it, so we offer some advice on how to put it to work in your projects.
When Apple bought Emagic two years ago, the question on everyone's lips was 'What will they do with Logic?' Now they have unveiled perhaps the most radical overhaul the sequencer has ever seen, with improvements ranging from new instruments and effects to a networking system that could eliminate CPU restrictions completely. We explain what's changed in this preview (our full in-depth review will follow next month).
Layering hardware sound modules to create new sounds is a simple matter, but things are not nearly as easy when you are working with virtual instruments in Logic. Here are a few useful workarounds...
Find out how to use the I/O plug-in within an Output Audio object, and also learn how Logic's improved plug-in delay compensation allows some powerful new mixing techniques.
Although beat-slicing is something more immediately associated with programs like Propellerhead Recycle or Bitshift Audio Phatmatik Pro, Logic also has facilities to automatically chop up your loops.